arXiv:2607. 11798v1 Announce Type: cross Abstract: Long-form audio description (AD) requires more than describing visible actions: it must preserve characters, events, relationships, and story context across scenes so that blind and low-vision (BLV) audiences can follow a film.
By Seung Hyun Hahm, Minh T. Dinh, SouYoung Jin
arXiv:2606. 09846v1 Announce Type: cross Abstract: Visual art remains largely inaccessible to blind and low-vision (BLV) audiences due to brief or absent alt-text, which rarely conveys the sensory, spatial, or emotional qualities of an artwork.
By Vignesh Nagarajan
arXiv:2607. 02504v1 Announce Type: cross Abstract: Long-form TV dramas present a formidable challenge for comprehensive video understanding, where deciphering complex storyline often relies on \textbf{speaker recognition}, the task of accurately attributing each spoken utterance to its respective character.
By Yuxuan Li, Lingxi Xie, Xinyue Huo, Jihao Qiu, Jiacheng Shao, Pengfei Chen, Jiannan Ge, Kaiwen Duan, Qi Tian
arXiv:2607. 11364v1 Announce Type: cross Abstract: Generating immersive, synchronized and cinematic audio for long-form textual narratives remains a significant challenge in multi-modal AI.
By Ajitesh Jamulkar, Aritra Hazra
arXiv:2606. 01703v1 Announce Type: cross Abstract: We address the challenge of generating high-fidelity, long-form soundtracks that remain coherent across scene transitions.
By Jiashuo Yu, Yao Yao, Boyu Chen, Alex Wang
Social media videos often communicate meanings that go beyond their visible actions, captions, or speech. A mundane clip may become humorous, ironic, or satire only through the interaction of multimodal cues and cultural context, making such content a difficult test case for video-language models.
Training Multimodal Large Language Models for audio-visual social understanding is a crucial step toward embodied social intelligence. Chain-of-thought (CoT) reasoning has become the dominant approach, with HumanOmniV2 and its IntentBench benchmark as a prominent reference point.
arXiv:2511. 16757v2 Announce Type: replace-cross Abstract: Audio-language pretraining (ALP) holds promise for learning general-purpose audio representation, yet remains underexplored.
By Wei-Cheng Tseng, Xuanru Zhou, Mingyue Huo, Yiwen Shao, Hao Zhang, Dong Yu
arXiv:2606. 07533v1 Announce Type: cross Abstract: Multimodal Large Language Models (MLLMs) effectively integrate text and audio to interpret context in complex interactive dialogues.
By Pawe{\l} Pozorski, Jakub Muszy\'nski, Maria Ganzha
arXiv:2606. 30026v1 Announce Type: cross Abstract: Audiovisual arts encompass diverse creative disciplines, including cinema, visual arts, stage performance, and game design, where artistic meaning arises from deliberate combinations of visual, auditory, and narrative elements (e.
By Yuxuan Fan, Gyusik Seo, Jing Hao, Jaemin Cho, Mohit Bansal, Jaehong Yoon
arXiv:2608. 08349v1 Announce Type: cross Abstract: Audio dramas weave dialogue, sound effects, and music into immersive stories.
By Karim Benharrak, Oriol Nieto, Bryan Wang, Zeyu Jin, Amy Pavel
arXiv:2607. 27109v2 Announce Type: cross Abstract: With the development of audio large language models (AudioLLMs), audio captioning needs to move from brief descriptions toward open-ended and fine-grained free-form descriptions.
By Weijie Wu, Junbo Li, Lin Li, Jun Fang, Qingyang Hong