arXiv:2608.30068v1 Announce Type: new Abstract: Films communicate through deliberate creative choices, including lighting, color, composition, editing, dialogue, music, and sound. Humans naturally in...
arXiv:2606. 09846v1 Announce Type: cross Abstract: Visual art remains largely inaccessible to blind and low-vision (BLV) audiences due to brief or absent alt-text, which rarely conveys the sensory, spatial, or emotional qualities of an artwork.
Narrating the visual component of movies is known as audio description. It is a narrative technique designed to enable blind and visually impaired individuals to follow the story.
The paper introduces Short‑Films 20K (SF20K), a large publicly available movie dataset comprising 20,143 amateur films totaling 3,582 hours, with an average length of 12 minutes per film. Accompanying the dataset is SF20K‑Test, a manual open‑ended question‑answering benchmark featuring 95 movies and 979 question‑answer pairs. Analysis of the benchmark shows limited data leakage, highlights the necessity of long‑term reasoning, and demonstrates that instruction tuning on the large‑scale dataset significantly boosts vision‑language model performance.
arXiv:2606. 24636v1 Announce Type: new Abstract: Cinematographic captioning aims to describe how a video is filmed using professional film-language concepts such as camera movement, shot size, depth of field, composition, and shooting angle.
Progress in video generation keeps narrowing the visual gap between AI-generated and professionally produced footage, yet most benchmarks still draw prompts from web sources or LLM templates and score them with untrained, generic multimodal models. More fundamentally, their evaluation taxonomies remain rudimentary (overall visual quality, coarse text alignment and temporal smoothness) rather than the professional Cinematic Language criteria by which films are actually made and judged, so they assess basic video plausibility rather than film-grade craft.
arXiv:2608.21853v1 Announce Type: new Abstract: Large language models are increasingly moving beyond text processing, adding support for other modalities such as images and audio. While text understa...
arXiv:2607. 24241v1 Announce Type: cross Abstract: Progress in video generation keeps narrowing the visual gap between AI-generated and professionally produced footage, yet most benchmarks still draw prompts from web sources or LLM templates and score them with untrained, generic multimodal models.
arXiv:2604. 25220v2 Announce Type: replace Abstract: Data videos combine animated visualizations with synchronized narration to communicate quantitative information and are widely used in journalism, education, and public communication.
arXiv:2606. 30026v1 Announce Type: cross Abstract: Audiovisual arts encompass diverse creative disciplines, including cinema, visual arts, stage performance, and game design, where artistic meaning arises from deliberate combinations of visual, auditory, and narrative elements (e.
arXiv:2608.28699v1 Announce Type: new Abstract: Understanding long-form video remains a fundamental challenge for multimodal large language models (MLLMs). Sparse frame sampling fails to capture fine...
arXiv:2608. 11343v1 Announce Type: new Abstract: Multimodal retrieval and classification across different types of media, spanning text, images,video and audio, has traditionally relied on dual-encoder models that align visual and textual representations through contrastive learning.