The paper introduces Cue2Narrate, a two‑stage pipeline that jointly predicts what visual events to narrate and when to insert the narration in long, untrimmed movie clips. It uses a dual‑head audio‑visual localizer to identify visual cue and narration windows, followed by a LoRA‑adapted vision‑language model that generates concise audio descriptions, trained with a Description Ranking Loss. The authors also present the LongLSMDC benchmark, comprising up to 8‑minute clips, and show that Cue2Narrate outperforms video‑only and audio‑only baselines by 5–12 points in average mAP and improves AD generation over fine‑tuned base VLMs.
By Akshita Gupta, Aditya Arora, Federico Tombari, Marcus Rohrbach, Anna Rohrbach
Audio Description (AD) provides spoken narration of visual events during dialogue gaps, making movies accessible to visually impaired audiences. The problem requires determining both what (which visua...
arXiv:2607. 11798v1 Announce Type: cross Abstract: Long-form audio description (AD) requires more than describing visible actions: it must preserve characters, events, relationships, and story context across scenes so that blind and low-vision (BLV) audiences can follow a film.
By Seung Hyun Hahm, Minh T. Dinh, SouYoung Jin
The paper introduces MTG-AD, a 36‑hour dataset of professionally annotated inline audio descriptions for videos, created by blind and sighted professionals. It also presents MTG‑AD‑Eval, a reference‑free evaluation framework that measures how well generated descriptions fit within a video’s natural silences, providing fine‑grained metrics aligned with expert guidelines. Experiments show that while large multimodal language models can reduce speech overlaps, gaps remain in pacing, and users find the model‑generated descriptions highly beneficial for comprehension.
By Subhashini Venugopalan, Jenny Tan, Taylor Roper, Jimmy Tobin, Anton Kast, Alicia Martin, Sam Sepah, Amy Pavel
arXiv:2604. 25220v2 Announce Type: replace Abstract: Data videos combine animated visualizations with synchronized narration to communicate quantitative information and are widely used in journalism, education, and public communication.
By Ridwan Mahbub, Syem Aziz, Mizanur Rahman, Mahir Ahmed, Shadikur Rahman, Shafiq Joty, Enamul Hoque
Narrating the visual component of movies is known as audio description. It is a narrative technique designed to enable blind and visually impaired individuals to follow the story.