arXiv:2607. 11798v1 Announce Type: cross Abstract: Long-form audio description (AD) requires more than describing visible actions: it must preserve characters, events, relationships, and story context across scenes so that blind and low-vision (BLV) audiences can follow a film.
arXiv:2608.28699v1 Announce Type: new Abstract: Understanding long-form video remains a fundamental challenge for multimodal large language models (MLLMs). Sparse frame sampling fails to capture fine...
arXiv:2609.37407v1 Announce Type: new Abstract: While recent video foundation models excel at generating high-quality short videos, long-form video generation remains a critical challenge, where a ma...
Audio Description (AD) provides spoken narration of visual events during dialogue gaps, making movies accessible to visually impaired audiences. The problem requires determining both what (which visua...
The paper introduces Cue2Narrate, a two‑stage pipeline that jointly predicts what visual events to narrate and when to insert the narration in long, untrimmed movie clips. It uses a dual‑head audio‑visual localizer to identify visual cue and narration windows, followed by a LoRA‑adapted vision‑language model that generates concise audio descriptions, trained with a Description Ranking Loss. The authors also present the LongLSMDC benchmark, comprising up to 8‑minute clips, and show that Cue2Narrate outperforms video‑only and audio‑only baselines by 5–12 points in average mAP and improves AD generation over fine‑tuned base VLMs.
The paper introduces Short‑Films 20K (SF20K), a large publicly available movie dataset comprising 20,143 amateur films totaling 3,582 hours, with an average length of 12 minutes per film. Accompanying the dataset is SF20K‑Test, a manual open‑ended question‑answering benchmark featuring 95 movies and 979 question‑answer pairs. Analysis of the benchmark shows limited data leakage, highlights the necessity of long‑term reasoning, and demonstrates that instruction tuning on the large‑scale dataset significantly boosts vision‑language model performance.
Video-HolmesV2 is a new benchmark that tests multimodal large language models on their ability to reason with spatio‑temporal audio‑visual evidence in long videos. It requires models to justify answers with precise evidence, uses a multi‑model cross‑verification pipeline and a spatio‑temporal evidence‑aware metric, and introduces an audio‑text guided token compression framework to reduce long‑context noise. In evaluations, even strong proprietary models score below 60% while the proposed approach outperforms comparable open‑source omni‑models.
The paper presents a new approach to automatic audio description (AD) that treats the task as a constrained global optimization problem. It jointly decides what visual content is narratively important, when it can be spoken without overlapping dialogue, and how to phrase it within time limits. Using large language models for salience estimation and a mixed‑integer linear program for scheduling, the system outperforms prior methods on the REFRAMED benchmark, especially in temporal placement and narrative relevance.
arXiv:2604.17422v2 Announce Type: replace Abstract: Long video understanding remains a formidable challenge for Multimodal Large Language Models (MLLMs) due to the prohibitive cost of processing dens...
Multimodal Large Language Models have demonstrated impressive video understanding, yet their ability to reason over long-form narratives is often masked by visual-centric evaluations and inefficient c...
VidOmni-Bench is a new benchmark for fine‑grained video understanding that asks models to verify whether each event in dense video captions is supported by the video. It contains 500 videos covering five complexity types and durations from 4 seconds to 90 minutes, and uses human‑verified sentence‑level labels to create hard negatives. Experiments show that Video‑LLMs often hallucinate events, struggle to detect incorrect descriptions, and exhibit varying weaknesses depending on video complexity and duration.
CinematicVQA is a new benchmark for evaluating large vision‑language models on film‑grammar reasoning. It introduces the Cinematic Scene Graph, a structured representation linking filming techniques to perceptual effects and narrative functions, and tests models on tasks beyond low‑level technique recognition. The study finds a semantic gap where models excel at describing visuals but struggle to identify underlying techniques, and shows that fine‑tuning improves performance on narrative function and multi‑hop reasoning.
arXiv:2601. 01095v3 Announce Type: replace-cross Abstract: Multimodal large language models (MLLMs) have achieved impressive progress in vision-language reasoning, yet their ability to understand temporally unfolding narratives in videos remains underexplored.