arXiv:2608.28699v1 Announce Type: new Abstract: Understanding long-form video remains a fundamental challenge for multimodal large language models (MLLMs). Sparse frame sampling fails to capture fine...
arXiv:2608. 13210v1 Announce Type: cross Abstract: Long-form video understanding encompasses tasks that go beyond retrieving isolated events, including tracking an evolving narrative and interpreting social meaning that may remain implicit.
arXiv:2606. 24636v1 Announce Type: new Abstract: Cinematographic captioning aims to describe how a video is filmed using professional film-language concepts such as camera movement, shot size, depth of field, composition, and shooting angle.
arXiv:2606. 17391v1 Announce Type: cross Abstract: Long-form serialized audio drama, with arcs that run for 200 to 800 episodes, is a major creative medium and a setting where frontier large language models (LLMs) fail.
VidOmni-Bench is a new benchmark for fine‑grained video understanding that asks models to verify whether each event in dense video captions is supported by the video. It contains 500 videos covering five complexity types and durations from 4 seconds to 90 minutes, and uses human‑verified sentence‑level labels to create hard negatives. Experiments show that Video‑LLMs often hallucinate events, struggle to detect incorrect descriptions, and exhibit varying weaknesses depending on video complexity and duration.
arXiv:2607. 11798v1 Announce Type: cross Abstract: Long-form audio description (AD) requires more than describing visible actions: it must preserve characters, events, relationships, and story context across scenes so that blind and low-vision (BLV) audiences can follow a film.
The paper introduces Short‑Films 20K (SF20K), a large publicly available movie dataset comprising 20,143 amateur films totaling 3,582 hours, with an average length of 12 minutes per film. Accompanying the dataset is SF20K‑Test, a manual open‑ended question‑answering benchmark featuring 95 movies and 979 question‑answer pairs. Analysis of the benchmark shows limited data leakage, highlights the necessity of long‑term reasoning, and demonstrates that instruction tuning on the large‑scale dataset significantly boosts vision‑language model performance.
The paper presents a detailed examination of narrative elements—agency, setting, and events—within the Dolma web-scale pretraining corpus. Using a framework of 11 interpretable dimensions, the authors hand‑annotated 400 passages, expanded this to a 25,000‑passage LLM‑labeled dataset, and trained NarraBERT models to predict narrative features across 13 million passages, producing the NarraDolma dataset. The study reveals that narrative structure is measurable at scale and that narrative qualities vary unevenly across different data sources, topics, and formats, highlighting gaps in current data curation practices.
arXiv:2608.21430v1 Announce Type: new Abstract: Multimodal language models increasingly show promise for enabling the large-scale computational analysis of film, opening up new avenues for learning a...
CinematicVQA is a new benchmark for evaluating large vision‑language models on film‑grammar reasoning. It introduces the Cinematic Scene Graph, a structured representation linking filming techniques to perceptual effects and narrative functions, and tests models on tasks beyond low‑level technique recognition. The study finds a semantic gap where models excel at describing visuals but struggle to identify underlying techniques, and shows that fine‑tuning improves performance on narrative function and multi‑hop reasoning.
arXiv:2607. 19038v1 Announce Type: cross Abstract: Translating novels into films poses a grand challenge for generative artificial intelligence, requiring conversion of abstract literary prose into long-form, multi-scene visual narratives.
arXiv:2607. 24241v1 Announce Type: cross Abstract: Progress in video generation keeps narrowing the visual gap between AI-generated and professionally produced footage, yet most benchmarks still draw prompts from web sources or LLM templates and score them with untrained, generic multimodal models.