arXiv:2606. 30026v1 Announce Type: cross Abstract: Audiovisual arts encompass diverse creative disciplines, including cinema, visual arts, stage performance, and game design, where artistic meaning arises from deliberate combinations of visual, auditory, and narrative elements (e.
By Yuxuan Fan, Gyusik Seo, Jing Hao, Jaemin Cho, Mohit Bansal, Jaehong Yoon
The paper presents a new approach to automatic audio description (AD) that treats the task as a constrained global optimization problem. It jointly decides what visual content is narratively important, when it can be spoken without overlapping dialogue, and how to phrase it within time limits. Using large language models for salience estimation and a mixed‑integer linear program for scheduling, the system outperforms prior methods on the REFRAMED benchmark, especially in temporal placement and narrative relevance.
By Igor Sterner, Mirella Lapata, Alex Lascarides, Frank Keller
arXiv:2608.21430v1 Announce Type: new
Abstract: Multimodal language models increasingly show promise for enabling the large-scale computational analysis of film, opening up new avenues for learning a...
By David Bamman, Kent K. Chang, Allison Cooper, Juishan Hsu, Reina Kushihashi, Madison Mar, Arnav Podichetty, Rachael Samberg, Ipek Nil Sancak, Yuhan Shao
arXiv:2608.28823v1 Announce Type: cross
Abstract: Artists coordinate human pose, illumination, and camera placement to convey narrative and emotion, but existing generative methods typically model th...
By Yunge Wen
The paper presents a method for generating 3D staging—human poses, lighting, and camera setup—directly from affective textual descriptions. It builds a dataset of 11,911 text–staging pairs derived from 2,328 figurative paintings, reconstructing SMPL bodies, estimating illumination, and recovering camera parameters. A flow‑matching transformer is trained to produce variable‑size scenes and multiple staging alternatives, achieving a 32.2% retrieval R@1 on held‑out prompts, outperforming a CLIP‑based baseline.
By Yunge Wen
arXiv:2608.30068v1 Announce Type: new
Abstract: Films communicate through deliberate creative choices, including lighting, color, composition, editing, dialogue, music, and sound. Humans naturally in...
By Kaishuu Shinozaki-Conefrey, Olivier Pascaud, Robin Courant, Xi Wang, Dimitris Samaras, Vicky Kalogeiton