arXiv:2606. 20388v1 Announce Type: cross Abstract: Data videos integrate dynamic charts, voice narration, and synchronized animations to communicate data insights as temporal narratives, making them an effective medium for improving data consumption efficiency in the data management lifecycle.
By Yupeng Xie, Chen Ma, Zhenyang Wang, Liangwei Wang, Jiayi Zhu, Chuxuan Zeng, Zhouan Shen, Boyan Li, Yuyu Luo
arXiv:2608.29711v1 Announce Type: new
Abstract: While MLLMs have made significant strides in chart comprehension and video understanding, current evaluations largely isolate these capabilities, leavi...
By Bomiao Wang, Zekai Shao, Jiexiang Lan, Xiaoliang Fu, Xingchen Zeng, Siming Chen
While MLLMs have made significant strides in chart comprehension and video understanding, current evaluations largely isolate these capabilities, leaving a critical gap in understanding temporally evo...
The paper introduces Temporally-Grounded Language Generation (TGLG), a benchmark that tests vision‑language models on their ability to produce semantically accurate and temporally precise utterances in real‑time settings. It identifies perceptual updating and contingency awareness as key capabilities, curates datasets from sports broadcasting and egocentric interactions, and proposes the TRACE metric to jointly evaluate semantic similarity and temporal alignment. The authors also present VLM‑TSI, a model that interleaves visual and linguistic tokens in a time‑synchronized manner, achieving better performance than a strong baseline yet still showing modest overall results, underscoring the challenge of real‑time VLMs.
By Keunwoo Peter Yu, Joyce Chai
CinematicVQA is a new benchmark for evaluating large vision‑language models on film‑grammar reasoning. It introduces the Cinematic Scene Graph, a structured representation linking filming techniques to perceptual effects and narrative functions, and tests models on tasks beyond low‑level technique recognition. The study finds a semantic gap where models excel at describing visuals but struggle to identify underlying techniques, and shows that fine‑tuning improves performance on narrative function and multi‑hop reasoning.
By Shuo Xing, Pooja Verlani, Balu Adsumilli, Zhengzhong Tu
VTR-Bench is a new benchmark designed to evaluate how well video generation models render text within scenes. It includes 300 prompts across five real-world scenarios such as advertisements and scientific videos, and uses an automated pipeline with human alignment to assess text fidelity and scene/motion requirements. Experiments on 11 state‑of‑the‑art models show that even the best performer has a word error rate of 0.250, underscoring widespread challenges in visual text rendering.
By Yu Huang, Jungang Li, Zhiyuan Wang, Yonghua Hei, Song Dai, Jiayu Yang, Deyuan Liu, Xiang Zheng, Xiaoshuang Shi, Hao Cheng, Kaidi Xu
WanPE is a 397‑B parameter prompt‑enhancement model that learns director‑level cinematic planning from 1.05 M real‑world videos. It generates shot‑level cinematic plans through video‑grounded reverse construction and uses Semantic‑Consistency GRPO (SC‑GRPO) to maintain user intent across shots and time. In evaluations, WanPE improves human preference over raw prompts by up to 50.86 points for 30‑second videos and outperforms commercial offerings for shorter durations.
By Yubo Zhu, Yawen Shao, Ziyun Dai, Zixun Fang, Kai Zhu, Siyang Sun, Haolan Xue, Chuxin Wang, Tingyu Weng, Jingming Luo, Chen Shi, Lianghua Huang, Yufeng Ai, Yuzheng Wang, Wenyuan Zhang, Yu Shang, Yuxiang Bao, Zoubin Bi, Jie Xiao, Jinbo Xing, Jiaxing Zhao, Chongyang Zhong, Hengjian Chen, Chenwei Xie, Akide Liu, Zhehan Kan, Yu Liu, Wei Zhai, Sheng Zhong, Wei Tong
As generative multimedia evolves from static image synthesis to complex, interleaved visual narratives, a foundational bottleneck has emerged: the judgment crisis. While human perception naturally synthesizes the temporal and logical flow of a story, automated evaluation systems remain largely "blind" to sequential continuity, often failing to distinguish between a coherent narrative and a semantically shuffled or contradictory sequence.
The paper presents a new approach to automatic audio description (AD) that treats the task as a constrained global optimization problem. It jointly decides what visual content is narratively important, when it can be spoken without overlapping dialogue, and how to phrase it within time limits. Using large language models for salience estimation and a mixed‑integer linear program for scheduling, the system outperforms prior methods on the REFRAMED benchmark, especially in temporal placement and narrative relevance.
By Igor Sterner, Mirella Lapata, Alex Lascarides, Frank Keller
arXiv:2608.29621v1 Announce Type: cross
Abstract: Long-horizon story-driven video generation requires a production agent to coordinate narrative decomposition, state tracking, shot design, prompt con...
By Junxiang Liu, Lin Wang, Haiyu Shi, Hongxu Ma, Xiaoyu Yang, Chunjie Chen, Xiaoxiao Xu, Kaiqiao Zhan, Boao Wang, Shuizhou Shi, Tianyun Zhu, Jie Li, Jiangtong Li
The paper introduces Caption‑once, Frames‑on‑Demand (CFD), a budget‑aware edge‑cloud framework for long‑video understanding. CFD first runs a single offline captioning pass on the edge to build a dual‑track narrative index—an event‑level story skeleton and a clip‑level micro‑log—that is cached for future queries. At query time, a cloud‑side MLLM uses a Visual‑Need Router to decide whether to retrieve keyframes for perceptual questions, thereby limiting visual processing while preserving temporal structure in language space.
By Weitong Cai, Hang Zhang, Yukai Huang, Yiqiao Xie, Shan Gao, Jiankang Deng, Songcen Xu, Jifei Song, Zhensong Zhang
VidOmni-Bench is a new benchmark for fine‑grained video understanding that asks models to verify whether each event in dense video captions is supported by the video. It contains 500 videos covering five complexity types and durations from 4 seconds to 90 minutes, and uses human‑verified sentence‑level labels to create hard negatives. Experiments show that Video‑LLMs often hallucinate events, struggle to detect incorrect descriptions, and exhibit varying weaknesses depending on video complexity and duration.
By Changbeen Kim, Junwon Chang, Kipyo Kim, Risa Shinoda, Kuniaki Saito, Donghyun Kim