arXiv:2607. 24241v1 Announce Type: cross Abstract: Progress in video generation keeps narrowing the visual gap between AI-generated and professionally produced footage, yet most benchmarks still draw prompts from web sources or LLM templates and score them with untrained, generic multimodal models.
By Shengyi Wang, Niantong Li, Guangzheng Hu, Hong Qi, Fei Ding, Weixu Qiao, Jinlin Wang, Xiaotong Lv, Peng Han, Zimeng Li, Fanshu Ding, Yushu Wang, Han Wu, Jingjing Chen, Chongxiao Wang, Yanhao Wu, Chenglong Huang, Xiaoqian Zhu, Jie Tian, Hua Li, Jingjing Fan, Mingshuang Tang, Zhong Li, Hengxia Qiang, Weibin Chen, Jinyang Zhen, Bing Zhao, Lin Qu, Jing Li, Hu Wei
Timeline-Bench is a benchmark comprising 56 real video‑editing tasks that require AI agents to transform raw production material into finished videos. Each task includes a brief, source assets, a container, and a set of tests that assess format, content, brief compliance, and quality based on 2,582 blind judgments by 43 video editors. In evaluations, the best agent resolved only 15 of the 56 tasks, and most failures were due to quality tests rather than technical errors.
WanPE is a 397‑B parameter prompt‑enhancement model that learns director‑level cinematic planning from 1.05 M real‑world videos. It generates shot‑level cinematic plans through video‑grounded reverse construction and uses Semantic‑Consistency GRPO (SC‑GRPO) to maintain user intent across shots and time. In evaluations, WanPE improves human preference over raw prompts by up to 50.86 points for 30‑second videos and outperforms commercial offerings for shorter durations.
By Yubo Zhu, Yawen Shao, Ziyun Dai, Zixun Fang, Kai Zhu, Siyang Sun, Haolan Xue, Chuxin Wang, Tingyu Weng, Jingming Luo, Chen Shi, Lianghua Huang, Yufeng Ai, Yuzheng Wang, Wenyuan Zhang, Yu Shang, Yuxiang Bao, Zoubin Bi, Jie Xiao, Jinbo Xing, Jiaxing Zhao, Chongyang Zhong, Hengjian Chen, Chenwei Xie, Akide Liu, Zhehan Kan, Yu Liu, Wei Zhai, Sheng Zhong, Wei Tong
CinematicVQA is a new benchmark for evaluating large vision‑language models on film‑grammar reasoning. It introduces the Cinematic Scene Graph, a structured representation linking filming techniques to perceptual effects and narrative functions, and tests models on tasks beyond low‑level technique recognition. The study finds a semantic gap where models excel at describing visuals but struggle to identify underlying techniques, and shows that fine‑tuning improves performance on narrative function and multi‑hop reasoning.
By Shuo Xing, Pooja Verlani, Balu Adsumilli, Zhengzhong Tu
CamPilot is a multi‑agent cinematic assistant that combines cinematographic planning with camera‑work control to generate more coherent and aesthetically pleasing movies from text prompts. It learns camera‑work planning from 14,000 professional films using a GRPO‑based learning paradigm, capturing motion patterns, composition principles, and cross‑shot relationships. The system is evaluated with a new benchmark, CamEval, and outperforms existing text‑to‑movie methods in cinematographic control and quality.
By Yang Wu, Stefano Petrangeli, Ishita Dasgupta, Yu Shen
arXiv:2606. 24636v1 Announce Type: new Abstract: Cinematographic captioning aims to describe how a video is filmed using professional film-language concepts such as camera movement, shot size, depth of field, composition, and shooting angle.
By Xinyu Mao, Yuhui Zeng, Xiaokun Liu, Wenyu Qin, Meng Wang, Xin Tao, Pengfei Wan, Xiaohan Xing, Max Meng