The paper introduces Cue2Narrate, a two‑stage pipeline that jointly predicts what visual events to narrate and when to insert the narration in long, untrimmed movie clips. It uses a dual‑head audio‑visual localizer to identify visual cue and narration windows, followed by a LoRA‑adapted vision‑language model that generates concise audio descriptions, trained with a Description Ranking Loss. The authors also present the LongLSMDC benchmark, comprising up to 8‑minute clips, and show that Cue2Narrate outperforms video‑only and audio‑only baselines by 5–12 points in average mAP and improves AD generation over fine‑tuned base VLMs.
By Akshita Gupta, Aditya Arora, Federico Tombari, Marcus Rohrbach, Anna Rohrbach
Audio Description (AD) provides spoken narration of visual events during dialogue gaps, making movies accessible to visually impaired audiences. The problem requires determining both what (which visua...
Video-HolmesV2 is a new benchmark that tests multimodal large language models on their ability to reason with spatio‑temporal audio‑visual evidence in long videos. It requires models to justify answers with precise evidence, uses a multi‑model cross‑verification pipeline and a spatio‑temporal evidence‑aware metric, and introduces an audio‑text guided token compression framework to reduce long‑context noise. In evaluations, even strong proprietary models score below 60% while the proposed approach outperforms comparable open‑source omni‑models.
By Zhaoyang Wei, Zipeng Wang, Yushe Cao, Chenhui Qiang, Shuaibing Cheng, Xuesong Yang, Sen Nie, Bowen Jiang, Wenchao Ding, Yanchao Hao, Zheng Wei, Xuehui Yu, Zhenjun Han
OmniCapBench is a new deep‑structured evaluation framework for audio‑visual captioning that replaces free‑form text predictions with sets of atomic, verifiable units across entity references, visual shots, and audio events. It uses deterministic constraint checks and localized LLM‑based semantic comparisons to provide reliable, fine‑grained scoring. With 786 densely annotated videos, the benchmark can distinguish perception errors such as temporal grounding failures, identity drift, cross‑modal misalignment, and hallucinations, revealing that current multimodal large language models excel at local perception but struggle with long‑horizon audio‑visual reasoning.
By Zhongyu Yang, Jiale Tao, Ruitao Chen, Zuhao Yang, Yingfang Yuan, Xueliang Zhao, Auden, Kai Wang, Shuai Shao, Biao Wang, Steve Yves, Qinglin Lu
PRISM‑Bench is an audio‑centric diagnostic benchmark for text‑to‑audio‑video generation, built from 900 human‑verified samples. It evaluates audio along two axes—audio type (speech, music, sound) and sound‑source visibility (on‑screen vs. off‑screen)—across four perceptual dimensions (audio‑visual coherence, audio quality, audio expressiveness, and prompt following) using 35 fine‑grained criteria. The benchmark employs an enhanced MLLM‑as‑a‑Judge protocol that aligns strongly with human raters, revealing a performance gap between frontier and open‑source T2AV models and highlighting overfitting to perceptual fidelity while struggling with complex grounding and control tasks, especially for music and synchronized on‑screen audio.
By Yuchen Sun, Qian Yang, Jun Wang, Detai Xin, Guoqiao Yu, Guanglu Wan, Qi Jia
arXiv:2607. 11798v1 Announce Type: cross Abstract: Long-form audio description (AD) requires more than describing visible actions: it must preserve characters, events, relationships, and story context across scenes so that blind and low-vision (BLV) audiences can follow a film.
By Seung Hyun Hahm, Minh T. Dinh, SouYoung Jin