arXiv:2608.30068v1 Announce Type: new
Abstract: Films communicate through deliberate creative choices, including lighting, color, composition, editing, dialogue, music, and sound. Humans naturally in...
By Kaishuu Shinozaki-Conefrey, Olivier Pascaud, Robin Courant, Xi Wang, Dimitris Samaras, Vicky Kalogeiton
MUSE is a new benchmark designed to evaluate large vision‑language models on artistic image understanding within situated educational contexts. It separates image annotation from question generation, offering twelve tasks that cover visual perception, semantic and affective interpretation, cultural understanding, and compositional reasoning across diverse artistic images from Singaporean, Southeast Asian, and Western traditions. The benchmark reveals significant gaps in model performance, especially in affective interpretation and compositional reasoning, and highlights common failure modes for trustworthy educational multimodal systems.
By Luyao Zhu, Xun Wei Yee, Wei Li, Mun Thye Mak, Wee Siong Ng
arXiv:2606. 09846v1 Announce Type: cross Abstract: Visual art remains largely inaccessible to blind and low-vision (BLV) audiences due to brief or absent alt-text, which rarely conveys the sensory, spatial, or emotional qualities of an artwork.
By Vignesh Nagarajan
EXAM$^2$ is a new benchmark for audio understanding that covers six languages and multiple modalities—speech, sound, music, mixed-audio, and visual images—providing 5,667 multiple-choice questions, 22,614 image instances, and 135,684 multilingual translations. It evaluates large audio language models (LALMs) and multimodal large language models (LLMs), revealing significant gaps in multilingual and cross‑modal performance. The authors also introduce Gemma3n-EXAM$^2$, a lightweight fusion model that improves multilingual results by up to 12.4% and multimodal results by 21.7% over a strong baseline.
By Jiawen Wang, Xiaoxue Gao, Zi Haur Pang, Nancy F. Chen
The paper introduces MObyGaze, a dataset of 20 films annotated by experts for multimodal objectification, covering 6072 segments across 43 hours of video. It defines objectification through a structured thesaurus of 5 sub‑constructs and 11 concepts spanning visual, speech, and audio modalities. The authors formulate learning tasks, explore label diversity strategies, and benchmark vision, text, and audio models to demonstrate the task’s feasibility.
By Julie Tores, Elisa Ancarani, Lucile Sassatelli, Hui-Yin Wu, Clement Bergman, Lea Andolfi, Victor Ecrement, Remy Sun, Frederic Precioso, Thierry Devars, Magali Guaresi, Virginie Julliard, Sarah Lecossais
arXiv:2606. 05531v1 Announce Type: cross Abstract: Despite the rapid progress of Vision-Language Models (VLMs), the field lacks benchmarks that rigorously diagnose their true reasoning abilities and chart meaningful progress toward human-like multimodal intelligence.
By Mohammad Mahdi Abootorabi, Omid Ghahroodi, Anas Madkoor, Marzia Nouri, Doratossadat Dastgheib, Mohamed Hefeeda, Ehsaneddin Asgari
CinematicVQA is a new benchmark for evaluating large vision‑language models on film‑grammar reasoning. It introduces the Cinematic Scene Graph, a structured representation linking filming techniques to perceptual effects and narrative functions, and tests models on tasks beyond low‑level technique recognition. The study finds a semantic gap where models excel at describing visuals but struggle to identify underlying techniques, and shows that fine‑tuning improves performance on narrative function and multi‑hop reasoning.
By Shuo Xing, Pooja Verlani, Balu Adsumilli, Zhengzhong Tu
arXiv:2606. 19727v1 Announce Type: cross Abstract: Language models have become essential tools in shaping modern workflows.
By Punit Kumar Singh, Niladri Ghosh, Advait Joshi{\i}nst, Shailee Choudhary, Michael F\"arber, Haiqin Yang
arXiv:2511. 23304v2 Announce Type: replace Abstract: In this paper, we propose a novel Multi-Modal Scene Graph with Kolmogorov-Arnold Expert Network for Audio-Visual Question Answering (SHRIKE).
By Zijian Fu, Changsheng Lv, Xianlin Zhang, Mengshi Qi, Huadong Ma
OmniHallu is a unified framework for detecting hallucinations in multimodal large language models across both comprehension and generation tasks involving image, video, and audio modalities. It introduces OmniHallu-Bench, a 10,000-sample benchmark with claim-level human annotations for six cross-modal tasks (I2T, V2T, A2T, T2I, T2V, T2A). The system uses a multi‑agent architecture that decomposes outputs into atomic claims, verifies them with modality‑specific experts, and aggregates evidence through structured reasoning, while a preference‑optimized verifier reduces expert calls by 66% with minimal performance loss.
By Jianjiang Yang, Peihang Li, Shanqing Xu, Mengchen Qian, Lu Zhang, Meng Luo
arXiv:2606. 07643v1 Announce Type: cross Abstract: Recent advances in Omni-Multimodal Large Language Models (Omni-MLLMs) have enabled strong integration of vision, audio, and language.
By Yaoting Wang, Ziyi Zhang, Wenming Tu, Shaoxuan Xu, Wenjie Du, Cheng Liang, Weijun Wang, Yuanchao Li, Guangyao Li, Hao Fei, Yuanchun Li, Henghui Ding, Yunxin Liu
arXiv:2608. 06501v1 Announce Type: new Abstract: Creative capabilities of MLLMs matter in design, communication, education, and human--AI collaboration, yet remain difficult to evaluate because explicit targets and reward signals are scarce compared with accuracy-oriented tasks.
By Ming Wang, Yuqing Zhang, Tingna Xie, Xiangju Li, Xiaocui Yang, Daling Wang, Shi Feng, Yifei Zhang