arXiv:2607. 00641v1 Announce Type: cross Abstract: Advances in generative AI are rapidly increasing the quality and commercial value of generated music, and this progress depends on large catalogs of creators' recordings.
By Luyang Zhang, Xirui Jiang, Junwei Deng, Beibei Li, Jiaqi W. Ma, Chris Donahue
arXiv:2606. 31250v1 Announce Type: cross Abstract: Large language models (LLM) trained on web-scale corpora generate output that may infringe copyright, yet existing technical safeguards focus narrowly on verbatim memorisation.
By Noah Scharrenberg, Chang Sun
arXiv:2608. 13944v1 Announce Type: cross Abstract: This paper examines a use of AI in creative practice as an interpretive sounding board for human-generated material, rather than the more familiar pattern of AI generation followed by human curation.
By Xiao Xiao
arXiv:2608. 05176v1 Announce Type: cross Abstract: Music education has never been a static discipline.
By Jean-Pierre Briot
arXiv:2606. 12260v1 Announce Type: cross Abstract: How can we design a market of human-generated content for use in training AI models that both enables technological progress and preserves individual incentives for high-quality content creation?
By Yan Dai, Maryam Farboodi, Negin Golrezaei, Sepehr Shahshahani
arXiv:2606. 09909v1 Announce Type: cross Abstract: With the growing concerns over copyright infringement in diffusion-based customization, adversarial attacks have emerged as a prominent defense strategy to prevent malicious content forgery in personalized image generation.
By Ziang Xu, Wenbo Yu, Hongyao Yu, Hao Fang, Jiawei Kong, Bin Chen, Hao Wu, Shu-Tao Xia, Zhiyong Wu
arXiv:2504. 00035v4 Announce Type: replace-cross Abstract: Large language models (LLMs) enable powerful knowledge injection through approaches such as in-context learning and fine-tuning, but they also introduce new risks of unauthorized imitation of high-value creative works.
By Ziwei Zhang, Juan Wen, Wanli Peng, Zhengxian Wu, Yinghan Zhou, Yiming Xue
AI music generation has rapidly advanced alongside commercial platforms, raising the need for reliable watermarking for provenance and attribution. However, existing audio watermarking research has largely focused on speech, and applying speech-oriented methods to music is challenging due to music's complex structure and rich acoustic texture.
arXiv:2606. 01686v1 Announce Type: cross Abstract: As generative platforms such as Suno and Udio reach human-grade audio quality, the scope of AI's utility has expanded across the entire music production workflow.
By Seonghyeon Go, Yumin Kim
arXiv:2607. 11117v1 Announce Type: cross Abstract: AI music generation has rapidly advanced alongside commercial platforms, raising the need for reliable watermarking for provenance and attribution.
By Seohwan Yun, Jeeyoung Yun, Yongjin Kim, Juyeon Lee, Sungwoong Kim
arXiv:2608. 14916v1 Announce Type: cross Abstract: AI-generated music detectors are commonly evaluated against original songs, but real-world uploads are often remixed, re-encoded, pitch-shifted, or otherwise edited.
By Alexandru-Stefan Morosanu, Valerian Cecan, Stefan-Daniel Achirei, Laura Erhan
arXiv:2606. 05852v1 Announce Type: cross Abstract: Text-to-speech (TTS) and singing voice synthesis (SVS) both aim to generate human vocal audio from symbolic inputs, but they impose different requirements on the generation process.
By Junjie Zheng, Huixin Xue, Shihong Ren, Chaofan Ding, Hao Liu, Zihao Chen