arXiv:2607. 11334v1 Announce Type: new Abstract: Large language models can produce superficially legal twelve-tone scores that collapse into degenerate textures.
By Congren Dai, Danni Zhao, Enyang Liu, Michael Ching Yam, Zhancheng Guo, Siyi Gu, Wentao Yang, Bo Dai, Xiaobing Li, Maosong Sun
arXiv:2608. 05176v1 Announce Type: cross Abstract: Music education has never been a static discipline.
By Jean-Pierre Briot
arXiv:2606. 26111v1 Announce Type: cross Abstract: Generative artificial intelligence (GenAI) has enabled users to synthesize music with text prompts, combining copyrighted lyrics, AI-composed melodies, and synthetic vocals that imitate real artists.
By Zuhaib Hussain Butt
arXiv:2608. 04378v1 Announce Type: cross Abstract: Collaborative music agents need internal representations rich enough to support both understanding and generation, yet flexible enough for a workflow where the human retains agency.
By Scott H. Hawley
arXiv:2607. 15027v1 Announce Type: new Abstract: The integration of AI-driven systems in creative work has sparked debates among artists and legal communities about notions of ownership.
By Sofi Gjing Jovanovska, Kuntal Ghosh, Daniel Muhu Njenga, Ahmed Mufassir, Shadan Sadeghian
arXiv:2502. 00023v2 Announce Type: replace-cross Abstract: Our research explores the development and application of musical agents, human-in-the-loop generative AI systems designed to support music performance and improvisation within co-creative spaces.
By Keon Ju M. Lee, Philippe Pasquier
arXiv:2608. 14405v1 Announce Type: cross Abstract: Art style is a signature of professional digital artists that develops through repeated experimentation, reflection, and adaptation.
By Wen-Fan Wang, TsaiHsuan Lin, Chi-Lan Yang, An-Ru Cheng, Bing-Yu Chen
Generative AI tools for creative work tend to be designed around the goal of removing friction, on the assumption that smoother iteration and faster output translate into more value for the designer. We argue, however, that this framing leaves out something important about how design ideation works, namely reflection-in-action.
arXiv:2607. 17940v1 Announce Type: cross Abstract: This paper frames Generative Artificial Intelligence (AI) not as an unprecedented technological rupture, but as an industrial-scale manifestation of a deeply rooted historical process.
By Giorgio Presti
arXiv:2506. 01982v5 Announce Type: replace-cross Abstract: This study investigates emotional expression and perception in music performance using computational and neurophysiological methods.
By Vassilis Lyberatos, Spyridon Kantarelis, Ioanna Zioga, Christina Anagnostopoulou, Giorgos Stamou, Anastasia Georgaki
arXiv:2607. 20796v1 Announce Type: new Abstract: This paper examines the question of whether artificial intelligence (AI) systems can be creative, approached from the dual perspective of a researcher trained in electrical engineering, pattern recognition, machine learning, and neural networks, who has also spent most of his life engaged in the arts as actor, stage and film director, writer, composer, and visual artist, and in philosophy.
By Ivan Magrin-Chagnolleau
arXiv:2608. 06638v1 Announce Type: cross Abstract: Mechanistic interpretability of music generation has concentrated on audio models, leaving symbolic models largely unexplored.
By Jakub Po\'cwiardowski, Mateusz Modrzejewski