arXiv:2608.30940v1 Announce Type: cross
Abstract: Generative music systems are increasingly presented as tools that democratize music creation, yet their practical suitability for musicians remains u...
By Laura Ib\'a\~nez-Mart\'inez, Roser Batlle-Roca, Xavier Serra, Mart\'in Rocamora
arXiv:2608. 13944v1 Announce Type: cross Abstract: This paper examines a use of AI in creative practice as an interpretive sounding board for human-generated material, rather than the more familiar pattern of AI generation followed by human curation.
By Xiao Xiao
arXiv:2606. 26111v1 Announce Type: cross Abstract: Generative artificial intelligence (GenAI) has enabled users to synthesize music with text prompts, combining copyrighted lyrics, AI-composed melodies, and synthetic vocals that imitate real artists.
By Zuhaib Hussain Butt
arXiv:2502. 00023v2 Announce Type: replace-cross Abstract: Our research explores the development and application of musical agents, human-in-the-loop generative AI systems designed to support music performance and improvisation within co-creative spaces.
By Keon Ju M. Lee, Philippe Pasquier
arXiv:2607. 05902v1 Announce Type: cross Abstract: Chamber music, as a highly precise multi-part interactive system, contains a logic of "role assignment and dynamic interaction" that provides an extremely valuable blueprint for exploring human-computer collaborative composition paradigms.
By Yakun Liu, Zhiyu Jin, Hai Luan, Dong Liu, Xiaonan Li
arXiv:2608. 10360v1 Announce Type: cross Abstract: Arabic maqam music microtonal, modal, and built on ornamented call and response is among the traditions most underserved by generative music models, whose training frameworks remain predominantly Western and equaltempered.
By Jiaxin Du, Boulbaba Abdeljaouad, Yong Zhuang, Haoyu Li