arXiv:2606. 00022v1 Announce Type: cross Abstract: Humor generation remains difficult not only because producing fluent, novel jokes is hard, but because "funny" is audience-dependent and supervision is noisy -- preferences vary with audience, context, and culture, and annotator agreement is often low.
By Alexey Tikhonov, Alexey Ivanov
arXiv:2606. 13256v1 Announce Type: cross Abstract: Humor plays a central role in human social relationships, and recent advances in computational humor create new opportunities for integrating humor into human-robot interaction (HRI).
By Anna-Maria Velentza, Anne-Gwenn Bosser
arXiv:2604.09629v3 Announce Type: replace
Abstract: Humor generation poses a significant challenge for Large Language Models (LLMs), because their standard training objective (next-token prediction)...
By Edward Ajayi, Prasenjit Mitra
arXiv:2606. 00046v1 Announce Type: cross Abstract: Video platforms such as YouTube have reshaped how users engage with entertainment and information, emphasizing brief, highly engaging content such as Shorts.
By Sydney Johns, Sanjeev Parthasarathy, Shantnu Bhalla, Vaibhav Garg
The paper investigates how semantic distance and ambiguity contribute to joke humor by revisiting and extending metrics from prior work. It introduces a new symmetry metric—measuring how close the ambiguous element Z is to both X and Y—and evaluates it using two embedding models on three joke datasets, including expanded versions with paired ambiguous sentences. Although models based on these metrics performed poorly in predicting humor ratings, the symmetry metric consistently correlated with higher-rated jokes, hinting it captures a key, though not sole, property of humor.
By Fabio De Ponte
arXiv:2607. 13189v1 Announce Type: cross Abstract: We present RAGthoven, our system for SemEval-2026 Task 1 (MWAHAHA), Subtask A (multilingual constrained humor generation in English, Spanish, and Chinese).
By Marek \v{S}uppa, Vikt\'oria Ondrejov\'a, Lucia Ganajov\'a, Gregor Karetka, Daniel Skala
arXiv:2607. 19011v1 Announce Type: cross Abstract: Multimodal humor in memes, cartoons, and comics remains difficult for AI systems because intended meaning depends on non-literal mechanisms, shared cultural knowledge, and communicative intent rather than literal scene description.
By Tuo Liang, Zhe Hu, Disheng Liu, Jing Li, Yu Yin
MultiHuSE is a multimodal dataset featuring 2,407 high‑definition videos of 50 diverse actors delivering 1,463 text samples in four psychological humour styles—affiliative, aggressive, self‑enhancing, and self‑deprecating—plus neutral content. Each text is performed by multiple actors, allowing analysis of expressive diversity, and a subset includes emotion annotations. Baseline experiments show that multimodal fusion improves humour style classification accuracy over unimodal approaches, especially for affiliative humour.
By Mary Ogbuka Kenneth, Foaad Khosmood, Abbas Edalat
arXiv:2607. 15442v1 Announce Type: new Abstract: Internet memes intertwine visual cues, textual content, and cultural context, making them particularly challenging to interpret in scenarios where humor, sarcasm, and harmful intent coexist.
By Shanhong Liu, Pai Chet Ng, De Wen Soh, Malika Meghjani, Konstantinos N. Plataniotis
arXiv:2509. 10847v3 Announce Type: replace-cross Abstract: As artificial intelligence (AI) companions become capable of human-like communication, including telling jokes, understanding how people cognitively and affectively respond to AI-attributed humor becomes increasingly important.
By Xiaohui Rao, Hanlin Wu, Zhenguang G. Cai
arXiv:2508. 11847v4 Announce Type: replace-cross Abstract: We propose a method for evaluating the robustness of widely used LLM ranking systems -- variants of a Bradley--Terry model -- to dropping a worst-case very small fraction of preference data.
By Jenny Y. Huang, Yunyi Shen, Dennis Wei, Tamara Broderick
The paper introduces the Dual Prediction Violation (DPV) framework to study how timing and semantic surprise interact in humor. Analyzing 828 Chinese stand‑up performances, it finds that temporal features—especially pauses before high‑surprise punchlines—are more predictive of audience appreciation than overall semantic incongruity. The study reframes humor as a temporally scaffolded phenomenon where timing and content coordinate strategically rather than independently.
By Yuxi Ma, Yongqian Peng, Junchen Lyu, Chi Zhang, Yixin Zhu