arXiv:2606. 00046v1 Announce Type: cross Abstract: Video platforms such as YouTube have reshaped how users engage with entertainment and information, emphasizing brief, highly engaging content such as Shorts.
Machine-generated by The Flow from the publisher's headline and feed description — not written or checked by a human. The full article lives at arXiv AI.
arXiv:2607. 15442v1 Announce Type: new Abstract: Internet memes intertwine visual cues, textual content, and cultural context, making them particularly challenging to interpret in scenarios where humor, sarcasm, and harmful intent coexist.
MultiHuSE is a multimodal dataset featuring 2,407 high‑definition videos of 50 diverse actors delivering 1,463 text samples in four psychological humour styles—affiliative, aggressive, self‑enhancing, and self‑deprecating—plus neutral content. Each text is performed by multiple actors, allowing analysis of expressive diversity, and a subset includes emotion annotations. Baseline experiments show that multimodal fusion improves humour style classification accuracy over unimodal approaches, especially for affiliative humour.
arXiv:2607. 19011v1 Announce Type: cross Abstract: Multimodal humor in memes, cartoons, and comics remains difficult for AI systems because intended meaning depends on non-literal mechanisms, shared cultural knowledge, and communicative intent rather than literal scene description.
Social media videos often communicate meanings that go beyond their visible actions, captions, or speech. A mundane clip may become humorous, ironic, or satire only through the interaction of multimodal cues and cultural context, making such content a difficult test case for video-language models.
arXiv:2607. 03981v1 Announce Type: cross Abstract: Memes have become influential communication tools on social media, combining viral visuals with concise messaging to convey impactful ideas.
The paper investigates how semantic distance and ambiguity contribute to joke humor by revisiting and extending metrics from prior work. It introduces a new symmetry metric—measuring how close the ambiguous element Z is to both X and Y—and evaluates it using two embedding models on three joke datasets, including expanded versions with paired ambiguous sentences. Although models based on these metrics performed poorly in predicting humor ratings, the symmetry metric consistently correlated with higher-rated jokes, hinting it captures a key, though not sole, property of humor.