Sanyu Studio is a multi‑agent dialogue system that treats 321 Sanyu oil paintings as agents equipped with fact, interpretation, organization, and memory‑filtering mechanisms. The paper reports on a seven‑day workshop with eight art‑university participants, showing that user prompts, evidence organization, and cognitive tendencies produced divergent yet coherent digital narratives of Sanyu. The study suggests that, when historical evidence is limited, AI can amplify human agency and provide public audiences with an interactive entry point into art‑historical interpretation.
arXiv:2609.13348v1 Announce Type: cross Abstract: This paper presents ViFA-Council, a three-stage multi-agent framework that employs multiple large language models (LLMs) to tackle two culturally com...
arXiv:2608.29644v1 Announce Type: cross Abstract: Attributing an artwork to an artist has traditionally relied on detailed visual observations and descriptions, known as stylistic analysis in art his...
arXiv:2606. 09846v1 Announce Type: cross Abstract: Visual art remains largely inaccessible to blind and low-vision (BLV) audiences due to brief or absent alt-text, which rarely conveys the sensory, spatial, or emotional qualities of an artwork.
arXiv:2608. 05026v1 Announce Type: cross Abstract: High-quality annotation of artworks is essential for computational art research, yet extracting implicit semantics remains challenging due to the reliance on culturally grounded meanings and deep contextual knowledge behind the images.
arXiv:2607. 08331v1 Announce Type: cross Abstract: Understanding how artworks are created requires reasoning about the iterative decisions, material operations, and contextual influences that shape artistic production.
Understanding how artworks are created requires reasoning about the iterative decisions, material operations, and contextual influences that shape artistic production. While recent generative AI systems can synthesize artworks with high fidelity, they primarily model distributions over finished artifacts rather than the creative processes underlying their creation.
The House with a Million Windows (HWAMW) is an LLM-based interactive fiction system that lets users narrate a story and then view it through a series of AI-generated "windows" that reframe the narrative in various literary styles. The system is grounded in the psychological restorying intervention, aiming to deepen users' exploration of meaning in their personal stories. Empirical results indicate that HWAMW enhances users' sense of narrative identity, and expert reviews suggest it achieves this by facilitating restorying rather than simply generating new content.
arXiv:2606. 15565v1 Announce Type: cross Abstract: Large Language Models (LLMs) are increasingly being used in museums to as role playing chatbots which let visitors talk to simulated versions of people and artefacts from the past.
arXiv:2608. 14405v1 Announce Type: cross Abstract: Art style is a signature of professional digital artists that develops through repeated experimentation, reflection, and adaptation.
arXiv:2607. 15027v1 Announce Type: new Abstract: The integration of AI-driven systems in creative work has sparked debates among artists and legal communities about notions of ownership.
arXiv:2605. 16972v2 Announce Type: replace-cross Abstract: Cultural heritage exhibitions often struggle to sustain attention and support reflective engagement.