arXiv:2607. 17940v1 Announce Type: cross Abstract: This paper frames Generative Artificial Intelligence (AI) not as an unprecedented technological rupture, but as an industrial-scale manifestation of a deeply rooted historical process.
By Giorgio Presti
arXiv:2601. 15797v2 Announce Type: replace Abstract: Many theorists maintain that conscious intentional agency is a necessary condition of creativity.
By James S. Pearson, Matthew J. Dennis, Marc Cheong
The study investigates when work done with AI feels like one's own, using a qualitative survey where participants described tasks that felt owned versus not owned. Findings show that ownership depends on the collaboration process: people feel ownership when they lead, iterate, or rewrite, but disown work when merely approving AI suggestions. Ownership also extends to tasks where people set the vision but rely on AI for execution, yet loss of personal voice and lack of comprehension erode ownership, and willingness to disclose AI use is driven more by community norms than by pride.
By Megan Wei, Melanie Subbiah, Audrey Lee, Annya Dahmani, Dave Edwards, Helen Edwards, Ellie Pavlick
arXiv:2606. 26114v1 Announce Type: cross Abstract: We examine the structural transformation of creative industries under generative artificial intelligence, drawing on 374 primary sources spanning policy documents, industry data, creator surveys, and platform analytics.
By Peter Woodbridge, John J. O'Hare
The paper examines how AI involvement in human collaboration can lead to unowned judgment, where decisions shaped by AI lack a clear accountable human or institution. Through cases of AI-assisted peer review and concealed AI use in creative work, it shows that contribution dissolution weakens responsibility and that fear of losing credit can deter disclosure. The authors argue for clearer distinctions of AI roles, identification of judgments needing human ownership, and conditions that allow disclosure without penalty, aiming to make AI-shaped contributions discussable, creditable, contestable, and repairable.
By Hengzhi Ye
arXiv:2607. 08331v1 Announce Type: cross Abstract: Understanding how artworks are created requires reasoning about the iterative decisions, material operations, and contextual influences that shape artistic production.
By Kaustubh Kumar, Ashutosh Ranjan, Vivek Srivastava, Blessin Varkey, Shirish Karande