arXiv:2607. 05902v1 Announce Type: cross Abstract: Chamber music, as a highly precise multi-part interactive system, contains a logic of "role assignment and dynamic interaction" that provides an extremely valuable blueprint for exploring human-computer collaborative composition paradigms.
By Yakun Liu, Zhiyu Jin, Hai Luan, Dong Liu, Xiaonan Li
arXiv:2609.13291v1 Announce Type: cross
Abstract: We present ScorePrompts, an interactive system in which users upload a score, receive natural-language descriptions of its musical structure, ask que...
By Emmanouil Karystinaios, Gerhard Widmer
arXiv:2607. 14537v1 Announce Type: cross Abstract: Rich internal representations of musical structure are essential for music understanding tasks such as machine-assisted music co-writing, yet self-supervised approaches for symbolic music representation remain underexplored, particularly those that encode the hierarchical multiscale nature of musical structures.
By Scott H. Hawley
The paper introduces the MATCHA dataset, comprising 1,105 perceptual assessments from 83 experts on attribute-based music matches across five musical attributes—melody, harmony, rhythm, voice, and timbre. A triplet-based forced-choice experiment with 300 cases, including plagiarism, cover songs, and AI-generated music, was used to gather these judgments. Results show measurable agreement among participants and partial alignment with computational similarity measures, highlighting the need for perceptually grounded evaluation in generative AI for music.
By Roser Batlle-Roca, Woosung Choi, Joan Serr\`a, Fabio Morreale, Wei-Hsiang Liao, Xavier Serra, Emilia G\'omez, Yuki Mitsufuji
The paper studies parameter‑efficient fine‑tuning (PEFT) methods—LoRA and QLoRA—on pretrained music encoders for audio, sheet‑music images, and symbolic scores. It compares full fine‑tuning with PEFT across nine encoders on TriScore and the Musical Theme Dataset, finding that LoRA/QLoRA often match or surpass full fine‑tuning while using far fewer parameters. However, gains in unimodal discrimination do not consistently translate to improved multimodal retrieval, though the adapted-and-projected representations achieve strong piece‑level retrieval performance on TriScore.
By Eliseo Fuentes-Martinez, Antonio Hidalgo-Centeno, Jorge Calvo-Zaragoza, Antonio Javier Gallego
arXiv:2607. 27909v1 Announce Type: cross Abstract: Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes.
By Dmitrii Gavrilev, Ilya Borovik, Vladimir Viro