arXiv:2607. 09973v1 Announce Type: cross Abstract: Industrial sound design requires audio generation systems that not only produce realistic audio, but also preserve the perceptual identity of a reference, support controllable variation, and remain efficient for practical workflows.
By M\'elodie Desbos, Yara Bahram, Eric Granger, Mohammadhadi Shateri
arXiv:2606. 00629v1 Announce Type: cross Abstract: Sound design workflows frequently oscillate between time-consuming library searches and the complexity of procedural synthesis, with practitioners typically relying on disconnected tools to address each challenge separately.
By Nelly Garcia, Aditya Bhattacharjee, Gabryel Mason-Williams, Israel Mason-Williams, Emmanouil Benetos, Joshua Reiss
arXiv:2607. 24873v1 Announce Type: new Abstract: Recent advances in AI music generation have enabled users to create complete musical pieces from natural-language prompts.
By Callie C. Liao, Duoduo Liao, Ellie L. Zhang
arXiv:2606. 01703v1 Announce Type: cross Abstract: We address the challenge of generating high-fidelity, long-form soundtracks that remain coherent across scene transitions.
By Jiashuo Yu, Yao Yao, Boyu Chen, Alex Wang
arXiv:2607. 11124v1 Announce Type: cross Abstract: Music creation is fundamentally a process of revision.
By Haoyu Gu, Lekai Qian, Haowu Zhou, Qi Liu, Shuai Wang
arXiv:2608. 03742v1 Announce Type: cross Abstract: Sound effects play a crucial role in conveying actions, events, and environmental cues across digital applications, often requiring a high degree of variation and contextual adaptability.
By Sandy Abdo, Bill Kapralos, Priyamvada Tripathi, KC Collins, Adam Dubrowski
arXiv:2607. 11364v1 Announce Type: cross Abstract: Generating immersive, synchronized and cinematic audio for long-form textual narratives remains a significant challenge in multi-modal AI.
By Ajitesh Jamulkar, Aritra Hazra
arXiv:2606. 09846v1 Announce Type: cross Abstract: Visual art remains largely inaccessible to blind and low-vision (BLV) audiences due to brief or absent alt-text, which rarely conveys the sensory, spatial, or emotional qualities of an artwork.
By Vignesh Nagarajan
arXiv:2608. 02673v1 Announce Type: cross Abstract: Speech editing for content creation requires precise control over both what an edit should do and where it should apply.
By Hankun Wang, Bohan Li, Shi Lian, Xiaoyu Gu, Jing Peng, Da Zheng, Colin Zhang, Kai Yu
Recent advances in AI music generation have enabled users to create complete musical pieces from natural-language prompts. However, most existing systems follow a prompt-and-regenerate paradigm, making iterative refinement difficult because users must repeatedly recreate compositions instead of directly evolving existing musical ideas.
arXiv:2607. 28896v1 Announce Type: cross Abstract: Unified audio models capable of audio understanding, audio generation and, increasingly, audio editing are proliferating rapidly.
By Aryan Vijay Bhosale, Harshit Rajgarhia, Abhishek Mukherji, Dinesh Manocha
arXiv:2608. 16539v1 Announce Type: cross Abstract: Large Audio Language Models (LALMs) have made rapid progress on standardized benchmarks, yet their deployment in practical media workflows, curation, archival indexing, and content distribution remains largely unrealized.
By Tony Alex, Wish Suharitdamrong, Sara Atito, Armin Mustafa, Muhammad Awais, Philip J. B. Jackson, Jiankang Deng, Ismail Elezi