arXiv:2607. 28896v1 Announce Type: cross Abstract: Unified audio models capable of audio understanding, audio generation and, increasingly, audio editing are proliferating rapidly.
arXiv:2603. 09714v2 Announce Type: replace-cross Abstract: While multi-audio understanding is critical for large audio-language models (LALMs), it remains underexplored.
arXiv:2609.27389v1 Announce Type: cross Abstract: Audio language models understand what is said far better than how it sounds. Closing this gap takes more than data. Detailed acoustic annotation is c...
FireRedAudio is a 9‑billion‑parameter audio language model that separates continuous input representations for audio understanding and speech generation, enabling a single autoregressive LLM to perform tasks such as ASR, zero‑shot TTS, Instruct TTS, and semantic/acoustic speech editing. The model uses a dedicated Audio Encoder for recognition and a RedAE‑based pathway for generation, with the LLM directly generating text or conditioning a flow‑matching DiT to produce acoustic latents. Evaluations show competitive or leading performance in multilingual ASR, content‑accurate zero‑shot TTS, strong instruction following, and significant improvements in speech editing over prior work.
arXiv:2609.08275v1 Announce Type: new Abstract: Recent multi-shot audio-video generators can produce increasingly coherent and cinematic outputs, but coherence does not imply the ability to execute e...
PRISM‑Bench is an audio‑centric diagnostic benchmark for text‑to‑audio‑video generation, built from 900 human‑verified samples. It evaluates audio along two axes—audio type (speech, music, sound) and sound‑source visibility (on‑screen vs. off‑screen)—across four perceptual dimensions (audio‑visual coherence, audio quality, audio expressiveness, and prompt following) using 35 fine‑grained criteria. The benchmark employs an enhanced MLLM‑as‑a‑Judge protocol that aligns strongly with human raters, revealing a performance gap between frontier and open‑source T2AV models and highlighting overfitting to perceptual fidelity while struggling with complex grounding and control tasks, especially for music and synchronized on‑screen audio.
AnchorPrompt is an adaptation technique for large audio‑language models that keeps the base model frozen and learns a single block of prompt vectors inserted at the decoder input. By training these prompts through self‑distillation on diverse audio and text perturbations, the method improves answer consistency and reduces hallucinations across multiple benchmarks. The approach is perturbation‑agnostic at inference, enabling zero‑shot transfer to unseen distortions such as reverberation and choice permutations.
arXiv:2607. 09973v1 Announce Type: cross Abstract: Industrial sound design requires audio generation systems that not only produce realistic audio, but also preserve the perceptual identity of a reference, support controllable variation, and remain efficient for practical workflows.
arXiv:2606. 18273v1 Announce Type: cross Abstract: Large audio language models (LALMs) have shown impressive capabilities on diverse audio understanding tasks, ranging from speech transcription to music analysis.
arXiv:2509. 22363v4 Announce Type: replace Abstract: Large Audio Language Models (LALMs) integrate audio encoders with pretrained Large Language Models to perform complex multimodal reasoning tasks.
arXiv:2606. 05121v1 Announce Type: cross Abstract: Audio is an inherently interactive modality, yet today's Large Audio Language Models (LALMs) are offline, and streaming audio models each handle only a single task such as streaming ASR or voice chatting.
AVENUE is a new benchmark and evaluation framework for audio‑video editing that includes 1,291 source clips and 7,957 editing instructions covering audio‑targeted, video‑targeted, and coupled edits. It introduces a sample‑specific, modality‑aware evaluation that specifies the intended change and the content that must remain unchanged. The study applies this framework to joint, sequential, and separate editing models, revealing that existing models often alter unintended modalities, highlighting a key challenge in controllable AV editing.
arXiv:2606. 11260v1 Announce Type: cross Abstract: Humans process rich auditory environments through tightly integrated cognitive capabilities such as audio perception, audio reasoning, and memory.