arXiv:2506. 20995v4 Announce Type: replace-cross Abstract: We propose a step-by-step video-to-audio (V2A) generation method that provides finer control over the generation process and more realistic audio synthesis.
By Akio Hayakawa, Masato Ishii, Takashi Shibuya, Yuki Mitsufuji
arXiv:2608. 03742v1 Announce Type: cross Abstract: Sound effects play a crucial role in conveying actions, events, and environmental cues across digital applications, often requiring a high degree of variation and contextual adaptability.
By Sandy Abdo, Bill Kapralos, Priyamvada Tripathi, KC Collins, Adam Dubrowski
Recent advances in generative video modeling have enabled diverse generation, reference-based synthesis, extension, and editing, but existing approaches often rely on fragmented task-specific models. A general model must distinguish heterogeneous target, source, and reference signals to determine what to generate, preserve, or use as guidance, while reducing interference among tasks.
arXiv:2608. 02673v1 Announce Type: cross Abstract: Speech editing for content creation requires precise control over both what an edit should do and where it should apply.
By Hankun Wang, Bohan Li, Shi Lian, Xiaoyu Gu, Jing Peng, Da Zheng, Colin Zhang, Kai Yu
arXiv:2606. 00629v1 Announce Type: cross Abstract: Sound design workflows frequently oscillate between time-consuming library searches and the complexity of procedural synthesis, with practitioners typically relying on disconnected tools to address each challenge separately.
By Nelly Garcia, Aditya Bhattacharjee, Gabryel Mason-Williams, Israel Mason-Williams, Emmanouil Benetos, Joshua Reiss
arXiv:2602. 12304v5 Announce Type: replace-cross Abstract: Existing mainstream video customization methods focus on generating identity-consistent videos based on given reference images and textual prompts.
By Maomao Li, Zhen Li, Kaipeng Zhang, Guosheng Yin, Zhifeng Li, Dong Xu
arXiv:2602. 03762v4 Announce Type: replace-cross Abstract: Visually-guided acoustic highlighting seeks to rebalance audio in alignment with the accompanying video, creating a coherent audio-visual experience.
By Hugo Malard, Gael Le Lan, Daniel Wong, David Lou Alon, Yi-Chiao Wu, Sanjeel Parekh
arXiv:2607. 23395v1 Announce Type: cross Abstract: Music Source Separation (MSS), the task of recovering individual sound components (stems) from a polyphonic mixture, is central to applications ranging from karaoke and remixing to audio restoration and content production.
By Roman Solovyev, Ilya Kiselev, Alexander Stempkovskiy, Tatiana Gabruseva
arXiv:2608. 08349v1 Announce Type: cross Abstract: Audio dramas weave dialogue, sound effects, and music into immersive stories.
By Karim Benharrak, Oriol Nieto, Bryan Wang, Zeyu Jin, Amy Pavel
arXiv:2608. 04479v1 Announce Type: cross Abstract: Text-to-audio (TTA) generation has recently achieved remarkable progress in synthesizing realistic audio from natural language descriptions.
By Jinting Wang, Yuguang Yang, Shengyu Li, Yan Rong, Shan Yang, Xiaoda Yang, Li Liu
arXiv:2606. 01703v1 Announce Type: cross Abstract: We address the challenge of generating high-fidelity, long-form soundtracks that remain coherent across scene transitions.
By Jiashuo Yu, Yao Yao, Boyu Chen, Alex Wang
arXiv:2607. 28896v1 Announce Type: cross Abstract: Unified audio models capable of audio understanding, audio generation and, increasingly, audio editing are proliferating rapidly.
By Aryan Vijay Bhosale, Harshit Rajgarhia, Abhishek Mukherji, Dinesh Manocha