AVENUE is a new benchmark and evaluation framework for audio‑video editing that includes 1,291 source clips and 7,957 editing instructions covering audio‑targeted, video‑targeted, and coupled edits. It introduces a sample‑specific, modality‑aware evaluation that specifies the intended change and the content that must remain unchanged. The study applies this framework to joint, sequential, and separate editing models, revealing that existing models often alter unintended modalities, highlighting a key challenge in controllable AV editing.
By Hayeon Kim, Yoojin Jang, Jaejun Yoo
OmniEdit-Bench introduces a comprehensive benchmark for instruction-based video editing (IVE), addressing limitations of existing datasets by covering spatial, temporal, audio, and reference-based editing tasks and distinguishing explicit from implicit instructions. The evaluation framework assesses editing quality across accuracy, preservation, realism, and consistency, using human judgments and vision-language models, and incorporates an accuracy-aware penalty to ensure instruction fidelity. Experiments reveal that current IVE models perform poorly, highlighting the need for improved methods.
By Chenxuan Miao, Yutong Feng, Yi Lu, Yunfeng Yan, Donglian Qi, Shiwei Zhang, Yu Liu, Xi Chen, Hengshuang Zhao
The paper introduces the Multi-Instruction Multi-Shot Long-Video Editing (MMLVE) task, aiming to enable consistent editing of long videos with multiple instructions. It proposes an agentic editing framework that combines Large Language Models and Vision-Language Models for shot-level decoupling and precise instruction parsing. The authors also present the MMLVE-Bench dataset and evaluation metrics, showing that their MMLVE-Agent outperforms existing state‑of‑the‑art methods by eliminating hallucinations and preserving temporal consistency.
By Chenyang Wu, Fuchen Long, Binyuan Huang, Xinlong Sun, Xi Chen, Chun-Le Guo, Chongyi Li
The paper introduces the Multi-Instruction Multi-Shot Long-Video Editing (MMLVE) task, aiming to edit long videos with multiple instructions while maintaining consistency across shots, decoupling instructions, and preserving spatiotemporal structure. It proposes an agentic editing framework that combines Large Language Models and Vision‑Language Models for shot-level decoupling and precise instruction parsing. A new dataset, MMLVE‑Bench, and three evaluation metrics are created to benchmark this task, and experiments show the proposed MMLVE‑Agent outperforms existing closed‑source state‑of‑the‑art methods by eliminating hallucinations and ensuring seamless transitions.
The paper introduces Sora100K, a dataset that captures AI‑Native video creation workflows as structured trajectories rather than isolated clips. It categorizes trajectories into text‑to‑video generation roots, single‑turn editing edges, and multi‑turn editing sequences, annotating each with semantic and operation labels via a VLM. A rigorous construction pipeline ensures accurate source‑to‑edit lineage and intermediate states, and lightweight adaptation on LTX‑2 models demonstrates improved visual quality, multi‑shot generation, and cross‑shot consistency, though multi‑turn editing remains challenging.
By Sicong Yang, Ruihuan Yang, Jian Lu, Jianfei Yuan, Xiaodong Cun, Xiuli Bi
arXiv:2606. 08415v1 Announce Type: cross Abstract: While recent text-guided video editing models excel at elementary tasks (e.
By Jiangtao Wu, Jiaming Wang, Yiwen He, Yuanxing Zhang, Shihao Li, Dunyuan Liu, Xuedong Zhao, Jialu Chen, Zekun Moore Wang, Jiaheng Liu
CoinVE-200K is a large, high‑quality dataset for compositional instruction‑guided video editing, featuring 1080p video‑editing pairs up to 201 frames long and containing 2–5 atomic editing operations per sample. The dataset covers diverse editing intents—targeting humans, objects, and backgrounds with addition, removal, modification, and stylization—while ensuring instruction faithfulness, visual quality, temporal consistency, and compositional diversity through a careful generation and filtering pipeline. CoinVE-Bench benchmarks these capabilities, and CoinVE-Edit, a 22B model built on Wan2.1‑T2V‑14B and Qwen3‑VL‑8B‑Instruct, demonstrates strong performance in instruction following, compositional editing accuracy, visual quality, and temporal consistency.
arXiv:2608.17566v2 Announce Type: replace
Abstract: The quality and diversity of instruction-based video editing datasets are steadily improving, yet existing datasets mainly focus on single editing...
By Fuchen Long, Cong Wang, Zitao Gao, Wenhao Zhong, Yu Cheng, Xiaolu Hou, Yan Li, Xiao Cao, Xinlong Sun, Xi Chen, Yu Liu
arXiv:2610.28346v1 Announce Type: new
Abstract: Autonomous video editing from open-world resources remains a challenging problem in multimedia content creation. Retrieval-based methods are constraine...
By Yuxia Chen, Wenbo Zhu, Yangguang Ji, Zhenxiang Jiang, Teng Zhong, Yu Zhang
arXiv:2606. 23327v2 Announce Type: replace-cross Abstract: Video editing has become essential in digital media creation, yet existing automated systems are restricted to short segment processing and domain-specific tasks.
By Hengji Zhou, Lingxuan Huang, Jian Wang, Bing Zhou, Si Wu, Lianghao Xia, Chao Huang
arXiv:2606. 01703v1 Announce Type: cross Abstract: We address the challenge of generating high-fidelity, long-form soundtracks that remain coherent across scene transitions.
By Jiashuo Yu, Yao Yao, Boyu Chen, Alex Wang
WanPE is a 397‑B parameter prompt‑enhancement model that learns director‑level cinematic planning from 1.05 M real‑world videos. It generates shot‑level cinematic plans through video‑grounded reverse construction and uses Semantic‑Consistency GRPO (SC‑GRPO) to maintain user intent across shots and time. In evaluations, WanPE improves human preference over raw prompts by up to 50.86 points for 30‑second videos and outperforms commercial offerings for shorter durations.
By Yubo Zhu, Yawen Shao, Ziyun Dai, Zixun Fang, Kai Zhu, Siyang Sun, Haolan Xue, Chuxin Wang, Tingyu Weng, Jingming Luo, Chen Shi, Lianghua Huang, Yufeng Ai, Yuzheng Wang, Wenyuan Zhang, Yu Shang, Yuxiang Bao, Zoubin Bi, Jie Xiao, Jinbo Xing, Jiaxing Zhao, Chongyang Zhong, Hengjian Chen, Chenwei Xie, Akide Liu, Zhehan Kan, Yu Liu, Wei Zhai, Sheng Zhong, Wei Tong