arXiv:2607. 06481v1 Announce Type: cross Abstract: We present PACR-Video, a parameter-efficient framework for multi-shot long video extrapolation that preserves recurring entities, scene structure, visual style, and causal progression without full generator fine-tuning.
By Anna C\'ordoba, Adam Puente Tercero, Nerea Angulo Hijo, Mar Linares Tercero, Julia Barrientos, Ainhoa Miranda, Jes\'us Olivera
arXiv:2603.11421v2 Announce Type: replace
Abstract: Text-driven video generation has democratized film creation, but camera control in cinematic multi-shot scenarios remains a significant block. Impl...
By Songlin Yang, Zhe Wang, Xuyi Yang, Songchun Zhang, Xianghao Kong, Taiyi Wu, Xiaotong Zhao, Ran Zhang, Alan Zhao, Anyi Rao
CinematicVQA is a new benchmark for evaluating large vision‑language models on film‑grammar reasoning. It introduces the Cinematic Scene Graph, a structured representation linking filming techniques to perceptual effects and narrative functions, and tests models on tasks beyond low‑level technique recognition. The study finds a semantic gap where models excel at describing visuals but struggle to identify underlying techniques, and shows that fine‑tuning improves performance on narrative function and multi‑hop reasoning.
By Shuo Xing, Pooja Verlani, Balu Adsumilli, Zhengzhong Tu
The paper introduces Temporal Context Routing (TCR), a method that aligns script timing with the shared temporal axis used for audio and video generation. By routing prompt guidance to specific temporal positions in both modalities, TCR dramatically improves shot boundary accuracy and dialogue timing on a set of test scripts, while preserving visual quality and audio‑visual sync. A user study confirms that participants prefer TCR across multiple evaluation dimensions.
By Yichen Liu, Quanwei Zhang, Haozhe Wang, Donghao Zhou, Xiaojie Li, Yang Shi, Jiaming Liu, Ruihua Huang, Yingtian Zou, Daquan Zhou
Progress in video generation keeps narrowing the visual gap between AI-generated and professionally produced footage, yet most benchmarks still draw prompts from web sources or LLM templates and score them with untrained, generic multimodal models. More fundamentally, their evaluation taxonomies remain rudimentary (overall visual quality, coarse text alignment and temporal smoothness) rather than the professional Cinematic Language criteria by which films are actually made and judged, so they assess basic video plausibility rather than film-grade craft.
arXiv:2608.29621v1 Announce Type: cross
Abstract: Long-horizon story-driven video generation requires a production agent to coordinate narrative decomposition, state tracking, shot design, prompt con...
By Junxiang Liu, Lin Wang, Haiyu Shi, Hongxu Ma, Xiaoyu Yang, Chunjie Chen, Xiaoxiao Xu, Kaiqiao Zhan, Boao Wang, Shuizhou Shi, Tianyun Zhu, Jie Li, Jiangtong Li