arXiv:2606. 24107v1 Announce Type: cross Abstract: Short dramas, with their rapid shot rhythms, dialogue-driven focus shifts, and demanding cinematographic grounding, pose challenges that prompt-level or text-only video generation pipelines struggle to meet.
Short dramas, with their rapid shot rhythms, dialogue-driven focus shifts, and demanding cinematographic grounding, pose challenges that prompt-level or text-only video generation pipelines struggle to meet. We study plot-to-short-drama generation, where a global plot and local context are transformed into visually grounded multi-shot videos.
arXiv:2604.17422v2 Announce Type: replace Abstract: Long video understanding remains a formidable challenge for Multimodal Large Language Models (MLLMs) due to the prohibitive cost of processing dens...
arXiv:2610.01884v1 Announce Type: new Abstract: We introduce an approach for collection-grounded B-roll sequence generation. Given a user's video collection, a directive given in natural language, an...
The paper presents a new approach to automatic audio description (AD) that treats the task as a constrained global optimization problem. It jointly decides what visual content is narratively important, when it can be spoken without overlapping dialogue, and how to phrase it within time limits. Using large language models for salience estimation and a mixed‑integer linear program for scheduling, the system outperforms prior methods on the REFRAMED benchmark, especially in temporal placement and narrative relevance.
CinematicVQA is a new benchmark for evaluating large vision‑language models on film‑grammar reasoning. It introduces the Cinematic Scene Graph, a structured representation linking filming techniques to perceptual effects and narrative functions, and tests models on tasks beyond low‑level technique recognition. The study finds a semantic gap where models excel at describing visuals but struggle to identify underlying techniques, and shows that fine‑tuning improves performance on narrative function and multi‑hop reasoning.
The paper introduces Short‑Films 20K (SF20K), a large publicly available movie dataset comprising 20,143 amateur films totaling 3,582 hours, with an average length of 12 minutes per film. Accompanying the dataset is SF20K‑Test, a manual open‑ended question‑answering benchmark featuring 95 movies and 979 question‑answer pairs. Analysis of the benchmark shows limited data leakage, highlights the necessity of long‑term reasoning, and demonstrates that instruction tuning on the large‑scale dataset significantly boosts vision‑language model performance.
arXiv:2604. 25220v2 Announce Type: replace Abstract: Data videos combine animated visualizations with synchronized narration to communicate quantitative information and are widely used in journalism, education, and public communication.
The paper presents a method for generating 3D staging—human poses, lighting, and camera setup—directly from affective textual descriptions. It builds a dataset of 11,911 text–staging pairs derived from 2,328 figurative paintings, reconstructing SMPL bodies, estimating illumination, and recovering camera parameters. A flow‑matching transformer is trained to produce variable‑size scenes and multiple staging alternatives, achieving a 32.2% retrieval R@1 on held‑out prompts, outperforming a CLIP‑based baseline.
arXiv:2608.28823v1 Announce Type: cross Abstract: Artists coordinate human pose, illumination, and camera placement to convey narrative and emotion, but existing generative methods typically model th...
arXiv:2610.08674v1 Announce Type: new Abstract: Current large video-language models (LVLMs) still face challenges when dealing with long videos, mainly because frames are often processed independentl...
arXiv:2608.28699v1 Announce Type: new Abstract: Understanding long-form video remains a fundamental challenge for multimodal large language models (MLLMs). Sparse frame sampling fails to capture fine...