arXiv:2606. 16240v1 Announce Type: cross Abstract: Activation steering has emerged as a powerful tool for shaping the behaviour of large language models at inference time, yet most prior work injects a \emph{single} semantic direction into the residual stream.
arXiv:2603. 16410v2 Announce Type: replace-cross Abstract: Creative plot generation presents a fundamental challenge for language models: transforming a concise premise into a coherent narrative that sustains global coherence, character development, pacing, tone consistency, and emotional progression.
arXiv:2607. 13189v1 Announce Type: cross Abstract: We present RAGthoven, our system for SemEval-2026 Task 1 (MWAHAHA), Subtask A (multilingual constrained humor generation in English, Spanish, and Chinese).
arXiv:2606. 17391v1 Announce Type: cross Abstract: Long-form serialized audio drama, with arcs that run for 200 to 800 episodes, is a major creative medium and a setting where frontier large language models (LLMs) fail.
arXiv:2608.30068v1 Announce Type: new Abstract: Films communicate through deliberate creative choices, including lighting, color, composition, editing, dialogue, music, and sound. Humans naturally in...
arXiv:2608. 07460v1 Announce Type: cross Abstract: While post-training improves the capabilities of large language models (LLMs), it generally lowers their output diversity and creativity, negatively impacting tasks that explicitly require creativity (e.
As generative multimedia evolves from static image synthesis to complex, interleaved visual narratives, a foundational bottleneck has emerged: the judgment crisis. While human perception naturally synthesizes the temporal and logical flow of a story, automated evaluation systems remain largely "blind" to sequential continuity, often failing to distinguish between a coherent narrative and a semantically shuffled or contradictory sequence.
The paper investigates how Large Language Models (LLMs) construct fictional worlds, specifically examining setting as a measurable aspect of storyworld creation. By generating 1,000 AI stories per model in English and German and comparing them to human-authored fiction from Project Gutenberg, the authors classify narrative space into five categories—action, perceived, visual, descriptive, and no space—using fine‑tuned BERT classifiers. Results show that human texts mainly use action space, grounding narratives in character-environment interaction, while LLMs consistently overproduce perceived space, focusing on atmosphere and affect, with this pattern varying by model and language.
arXiv:2510. 20091v3 Announce Type: replace-cross Abstract: Creativity is often seen as a hallmark of human intelligence.
arXiv:2605. 17064v2 Announce Type: replace Abstract: Large language models are optimized for instruction following and agentic tasks remain poorly aligned with the requirements of high-quality creative writing.
arXiv:2603. 13545v2 Announce Type: replace Abstract: AI development has a fiction dependency problem.
arXiv:2507. 18043v2 Announce Type: replace-cross Abstract: Inference-time steering methods offer a lightweight alternative to fine-tuning large language models (LLMs) and vision-language models (VLMs) by modifying internal activations at test time without updating model weights.
Sofroniew et al. (2026) showed that emotion concepts in Claude Sonnet 4.5 are encoded as vectors whose geometry mirrors human affect psychology. This study replicates that finding using the base pretrained model google/gemma-2-27b, generating 205,200 Claude Sonnet 4.5 stories, extracting 171 emotion vectors, and recovering a similar affective circumplex with principal components explaining comparable variance. The analysis further identifies a sharp geometric seam at layers 22‑26, demonstrates that much of the geometry already exists in static token embeddings, and shows that the geometry predicts token‑level co‑activation with high correlation.