Multimodal large language models (MLLMs) allow social scientists to analyze video at scale, but researchers must decide which parts of a video to provide as input. We use the term representation valid...
arXiv:2606. 00046v1 Announce Type: cross Abstract: Video platforms such as YouTube have reshaped how users engage with entertainment and information, emphasizing brief, highly engaging content such as Shorts.
By Sydney Johns, Sanjeev Parthasarathy, Shantnu Bhalla, Vaibhav Garg
arXiv:2603. 26772v2 Announce Type: replace-cross Abstract: Automated semantic annotation of broadcast television content presents distinctive challenges, combining structured audiovisual composition, domain-specific editorial patterns, and strict operational constraints.
By Paolo Cupini, Francesco Pierri
The paper presents a new taxonomy for online harm on video platforms, expanding existing frameworks to multimodal contexts and defining six content-based categories: Information, Hate and harassment, Addictive, Clickbait, Sexual, and Physical harms. It also evaluates multimodal large language models (MLLMs) as alternative annotators, comparing GPT‑4‑Turbo, non‑trained crowdworkers, and trained human annotators on a dataset of 19,422 potentially harmful YouTube videos. The study finds that MLLMs can perform comparably to human annotators in both binary and multi‑label classification tasks, suggesting potential applications in content moderation and social science research.
By Claire Wonjeong Jo, Miki Weso{\l}owska, Magdalena Wojcieszak
arXiv:2606. 14780v1 Announce Type: cross Abstract: Clickbait content on video-sharing platforms poses a significant challenge to information reliability, yet progress in automated detection has been constrained by the lack of large-scale, high-quality multimodal datasets.
By Md. Minhazul Islam, Md. Tanbeer Jubaer, Amith Khandakar, Shovon Sarker, Sumaiya Rahman, Md. Masum Mia, Mohamed Arselene Ayari, Hamed Noori
Social media videos often communicate meanings that go beyond their visible actions, captions, or speech. A mundane clip may become humorous, ironic, or satire only through the interaction of multimodal cues and cultural context, making such content a difficult test case for video-language models.
MiRAGE is a new evaluation framework for retrieval‑augmented generation (RAG) that handles multimodal sources such as audiovisual media. It uses a claim‑centric approach with two metrics: InfoF1, which measures factuality and information coverage, and CiteF1, which measures citation support and completeness. Human evaluation shows MiRAGE aligns well with extrinsic quality judgments, and an automatic implementation outperforms three text‑centric RAG metrics (ALCE, ARGUE, RAGAS) on text while uniquely generalizing to multimodal inputs.
By Alexander Martin, William Walden, Reno Kriz, Dengjia Zhang, Kate Sanders, Eugene Yang, Chihsheng Jin, Benjamin Van Durme
arXiv:2606. 01285v1 Announce Type: cross Abstract: Text-to-video generation has advanced rapidly in visual quality, but remains under-evaluated for factuality and practical usefulness.
By Chenxu Wang, Mingda Chen
arXiv:2601.16333v3 Announce Type: replace-cross
Abstract: Foundation models are used for many real-world applications involving language understanding and generation from temporally-ordered multimoda...
By Aditya K Surikuchi, Raquel Fern\'andez, Sandro Pezzelle
MultiHuSE is a multimodal dataset featuring 2,407 high‑definition videos of 50 diverse actors delivering 1,463 text samples in four psychological humour styles—affiliative, aggressive, self‑enhancing, and self‑deprecating—plus neutral content. Each text is performed by multiple actors, allowing analysis of expressive diversity, and a subset includes emotion annotations. Baseline experiments show that multimodal fusion improves humour style classification accuracy over unimodal approaches, especially for affiliative humour.
By Mary Ogbuka Kenneth, Foaad Khosmood, Abbas Edalat
CultureVidBench is a new benchmark that evaluates how well text‑to‑video generation models capture cultural details. It contains 1,000 prompts spanning 12 countries, 6 continents, 8 cultural regions, and 14 cultural aspects, grouped into material culture, social practice & performance, and ritual & ceremony. Human studies and automated assessments show that while current models perform well on semantic adherence and visual quality, they often miss fine‑grained cultural details, especially for underrepresented regions and multimodal cues.
By Xianjing Han, Yuhan Su, Yang Deng, Dong Ma, Wee Peng Tay, Bin Zhu
arXiv:2607. 03981v1 Announce Type: cross Abstract: Memes have become influential communication tools on social media, combining viral visuals with concise messaging to convey impactful ideas.
By Fatema Tuj Johora Faria, Mukaffi Bin Moin, Md. Mahfuzur Rahman, Pronay Debnath, Asif Iftekher Fahim, Faisal Muhammad Shah