arXiv:2601. 04867v3 Announce Type: replace-cross Abstract: Modulation effects such as phasers, flangers and chorus effects are heavily used in conjunction with the electric guitar.
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arXiv:2607. 08863v1 Announce Type: cross Abstract: We present Clean2FX, a study and demo of label-conditioned clean-to-effect transformation for electric guitar audio.
arXiv:2608. 13724v1 Announce Type: cross Abstract: PLAUD (Performative Latents and Unsupervised DDSP) is a neural synthesizer and Max for Live instrument for live electronic music, built on NoiseBandNet and trained on small personal sound corpora.
arXiv:2512. 15313v2 Announce Type: replace-cross Abstract: Deep learning has become a standard approach for the modeling of audio effects, yet strictly black-box modeling remains problematic for time-varying systems.
arXiv:2606. 24307v1 Announce Type: cross Abstract: Interactive music and live performance relies on real-time human expression, but modern generative music AI remains largely absent from this domain due to its prohibitive inference latency and offline rendering paradigm.
arXiv:2603. 07584v2 Announce Type: replace-cross Abstract: Computational engine sound modeling is central to the automotive audio industry, particularly for active sound design applications and virtual prototyping.
arXiv:2507. 16696v3 Announce Type: replace-cross Abstract: Industrial signal analysis is hindered by severe data heterogeneity, which we characterize as the M5 problem.