SsgCaps is a publicly available dataset of human-engineered sound scenes, each paired with a precisely structured prompt that guides the sampling process. The prompts are drawn from a predefined action-based typology, enabling extensive yet plausible sampling. A comparative quantitative analysis shows only small differences between the open and private versions, supporting the recommendation of the open version for benchmarking sound scene generation algorithms.
By Modan Tailleur (LS2N), Junwon Lee (LS2N), Laurie M Heller (LS2N), Mathieu Lagrange (LS2N), Keunwoo Choi, Brian McFee, Keisuke Imoto, Yuki Okamoto
The paper introduces CPR, a piano rendering framework that combines continuous autoregressive modeling with local flow matching and full‑sequence refinement. It predicts continuous hidden states, generates 24 kHz acoustic latents, and upsamples to 48 kHz, while new techniques BREPA and MT‑RoPE enhance musical semantics and cross‑modal alignment.
By Chong Jing, Junan Zhang, Zhizheng Wu
arXiv:2606. 14791v1 Announce Type: cross Abstract: Self-supervised learning advances audio representation for multimedia analysis.
By Fengrui Liu, Ruiyang Huang, Qijian Zheng, Yuanfang Wang, Feng Liu
arXiv:2512. 02652v2 Announce Type: replace-cross Abstract: Existing methods for expressive music performance rendering, a conditional generation task that aims to generate a human-like performance from a symbolic score, rely on supervised learning over small labeled datasets, which limits scaling of both data volume and model size, despite the availability of vast unlabeled music, as in vision and language.
By Hong-Jie You, Jie-Jing Shao, Xiao-Wen Yang, Lin-Han Jia, Lan-Zhe Guo, Yu-Feng Li
arXiv:2606. 30700v1 Announce Type: cross Abstract: Self-supervised learning enables audio representations that transfer across domains and tasks.
By Ludovic K. Tuncay (IRIT-SAMoVA), Etienne Labb\'e (IRIT-SAMoVA), Thomas Pellegrini (IRIT-SAMoVA)
arXiv:2607. 23395v1 Announce Type: cross Abstract: Music Source Separation (MSS), the task of recovering individual sound components (stems) from a polyphonic mixture, is central to applications ranging from karaoke and remixing to audio restoration and content production.
By Roman Solovyev, Ilya Kiselev, Alexander Stempkovskiy, Tatiana Gabruseva
arXiv:2609.31810v2 Announce Type: replace-cross
Abstract: Video-to-music models have advanced considerably in the last few years, particularly in film and music video applications. In this paper, we...
By Felipe Marra, Lucas N. Ferreira
arXiv:2606. 10223v1 Announce Type: cross Abstract: Attributing a synthetic utterance to its originating system remains an open challenge: closed-set models fail to reject unseen synthesizers and produce overconfident predictions.
By Awais Khan, Kutub Uddin, Khalid Malik
arXiv:2607. 22413v1 Announce Type: cross Abstract: Sample retrieval tools can help composers find harmonically compatible material, but querying from a fixed reference sample becomes less informative as arrangements evolve and the harmonic context shifts with each musical decision.
By Austin Rockman
arXiv:2607. 27909v1 Announce Type: cross Abstract: Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes.
By Dmitrii Gavrilev, Ilya Borovik, Vladimir Viro
arXiv:2506. 20995v4 Announce Type: replace-cross Abstract: We propose a step-by-step video-to-audio (V2A) generation method that provides finer control over the generation process and more realistic audio synthesis.
By Akio Hayakawa, Masato Ishii, Takashi Shibuya, Yuki Mitsufuji
arXiv:2606. 12282v1 Announce Type: cross Abstract: Expressive performance rendering (EPR) aims to generate realistic performances constrained on sequences of notes.
By Dmitrii Gavrilev