arXiv:2506. 14293v4 Announce Type: replace-cross Abstract: We present Sleeping-DISCO 9M, a large-scale pre-training dataset for music and song.
arXiv:2607. 08756v1 Announce Type: cross Abstract: We present MulTTiPop, a dataset of pop music segments and their associated multitrack MIDI recordings for the evaluation of automatic music transcription models.
We present MulTTiPop, a dataset of pop music segments and their associated multitrack MIDI recordings for the evaluation of automatic music transcription models. MulTTiPop contains 572 segments of popular music totaling 3.
arXiv:2609.27094v1 Announce Type: cross Abstract: Automatic tagging is a core task in Music Information Retrieval (MIR), yet most tagging systems exploit only audio. Live music performance is inheren...
The paper introduces an interpretable framework for singing emotion recognition that uses a compact set of singing-specific descriptors covering prosody, spectral features, phonetics, and vocal technique. By applying SHAP and GRAD-CAM, the authors link model predictions to measurable acoustic phenomena, showing that vocal technique descriptors reduce cross-singer variability and provide interpretable insights. Out‑of‑domain tests on VocalSet reveal that vibrato and pharyngeal techniques are key emotional cues, with vibrato’s importance depending on articulation rate.
DuoTok is a source‑aware dual‑track music tokenizer designed for vocal‑accompaniment generation. It first learns a semantic audio representation via self‑supervised pretraining, then refines source‑aware structure with feature‑replacement noise and multi‑task supervision (spectral reconstruction, source separation regularization, and an ASR head for lyric alignment). The encoder is frozen and hard‑routed codebooks for vocals and accompaniment are learned, while a diffusion decoder restores fine acoustic detail from the discrete tokens, achieving a favorable predictability‑fidelity trade‑off at ultra‑low bitrate across public benchmarks.
arXiv:2606. 26451v1 Announce Type: cross Abstract: Automatic singing quality assessment (SQA) requires evaluating lyrical correctness and musical fidelity while handling expressive variations.
The paper presents the first controlled study of Whisper adaptation for Greek Automatic Lyric Transcription (ALT), addressing challenges such as melodic variability, rhythmic irregularity, and accompaniment interference. It explores model scaling, multitask training with transcribe-translate ratios, and a two‑stage speech‑to‑singing adaptation, while curating a segment‑level aligned singing dataset from the Greek Audio Dataset. Results show that larger models consistently improve performance, multitask learning benefits smaller models, and the two‑stage adaptation achieves a 27.2% WER, establishing the first Greek ALT benchmark.
Gangqinpu is a large, multi‑genre piano dataset that provides aligned audio, MIDI, and musical scores for 18,786 pieces, covering pop, classical, jazz, folk/traditional, rock, and blues. The dataset includes automatic note‑level alignments, beat/downbeat annotations, genre labels, and a binary classifier to filter non‑expressive performances. It is designed to reduce data leakage with ASAP splits and has shown cross‑dataset improvements in beat tracking and in‑domain gains for transcription and expressive performance rendering.
arXiv:2606. 01686v1 Announce Type: cross Abstract: As generative platforms such as Suno and Udio reach human-grade audio quality, the scope of AI's utility has expanded across the entire music production workflow.
arXiv:2608. 06165v1 Announce Type: cross Abstract: Existing audio-to-score (A2S) systems primarily focus on classical music, and the application to popular music remains underexplored.
arXiv:2608. 14819v1 Announce Type: cross Abstract: Music foundation models are commonly used as frozen audio feature extractors, yet selecting which layer to extract from remains largely heuristic.