arXiv:2607. 03806v1 Announce Type: cross Abstract: Audio foundation models are widely adopted as general-purpose feature extractors, yet the internal structure of their learned representations remains insufficiently understood.
By H\'ector Martel, Joe Hennessy-Priest, Taemin Cho
arXiv:2607. 00777v1 Announce Type: cross Abstract: Recognizing jazz standards from audio is a challenging form of tune-level music retrieval: different performances of the same standard may vary in tempo, key, arrangement, instrumentation, improvisational content, and even whether the head melody is present.
By \c{C}a\u{g}r{\i} Eser
arXiv:2607. 27909v1 Announce Type: cross Abstract: Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes.
By Dmitrii Gavrilev, Ilya Borovik, Vladimir Viro
Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes. However, these methods often disregard dependencies between notes, which poses a potential limitation in assessing the similarity between two sets of performances.
arXiv:2608. 03920v1 Announce Type: cross Abstract: Humans recognize a musical passage even when it is shifted in time or transposed in pitch, indicating a notion of equivariance in the representation space.
By Zixun Guo, Simon Dixon
arXiv:2605. 01790v2 Announce Type: replace-cross Abstract: A common design pattern in high-quality music generation is to handle structure and fidelity in different representation spaces: a generator first models high-level structure, followed by diffusion-based or neural decoding stages that reconstruct fine details.
By Jiafeng Liu, Yuanliang Dong, Hongjia Liu, Yuqing Cheng, Zhancheng Guo, Huijing Liang, Wenbo Zhan, Yuming Sun, Xiaobing Li, Feng Yu, Maosong Sun
arXiv:2606. 16612v1 Announce Type: cross Abstract: The rapid advancement of AI music generators highlights the urgent need for reliable Synthetic Song Detection (SSD).
By Yan Han, Zhibin Wen, Yuan Wang, Shuangrun Shao, Xiaobing Li, Yang Xu, Wei Li
arXiv:2603. 27218v2 Announce Type: replace-cross Abstract: Music Structure Analysis (MSA) aims to uncover the high-level organization of musical pieces.
By Axel Marmoret
arXiv:2605. 03395v2 Announce Type: replace-cross Abstract: Music popularity prediction has attracted growing research interest, with relevance to artists, platforms, and recommendation systems.
By Jaavid Aktar Husain, Dorien Herremans
arXiv:2608. 04142v1 Announce Type: cross Abstract: Existing reference-free methods for evaluating music perceptual quality alleviate the need for paired noisy-clean data, but they still rely on a background set, which is used to compute aggregated statistics of clean audio samples.
By Alon Ziv, Harel Pogoda, Yossi Adi
arXiv:2603. 00610v3 Announce Type: replace-cross Abstract: While music generation models have evolved to handle complex multimodal inputs mixing text, lyrics, and reference audio, evaluation mechanisms have lagged behind.
By Yinghao Ma, Haiwen Xia, Hewei Gao, Weixiong Chen, Yuxin Ye, Yuchen Yang, Sungkyun Chang, Mingshuo Ding, Yizhi Li, Ruibin Yuan, Simon Dixon, Emmanouil Benetos
arXiv:2607. 20253v1 Announce Type: cross Abstract: In this report, we present a unified song generation framework capable of producing high-quality full-length music from lyrics, text descriptions, and musical attributes.
By Junyu Dai, Xinyue Fan, Weiqin Li, Xiangang Li, Yunjia Li, Bin Ma, Yukun Ma, Chongjia Ni, Yufei Shi, Haoxu Wang, Menglin Wu, Jianwei Yu, Huaicheng Zhang, Han Zhao, Shengkui Zhao, Haina Zhu