arXiv:2607. 08756v1 Announce Type: cross Abstract: We present MulTTiPop, a dataset of pop music segments and their associated multitrack MIDI recordings for the evaluation of automatic music transcription models.
By Nathan Pruyne, Benjamin Stoler, William Chen, Chien-yu Huang, Shinji Watanabe, Chris Donahue
arXiv:2608. 06165v1 Announce Type: cross Abstract: Existing audio-to-score (A2S) systems primarily focus on classical music, and the application to popular music remains underexplored.
By Eoin Cummins, Zhongyi Huang, Alexandre D'Hooge, Zhuoro Mo, Yaolong Ju
arXiv:2606. 26451v1 Announce Type: cross Abstract: Automatic singing quality assessment (SQA) requires evaluating lyrical correctness and musical fidelity while handling expressive variations.
By Neelam Saini, Sourav Ghosh
arXiv:2506. 14293v4 Announce Type: replace-cross Abstract: We present Sleeping-DISCO 9M, a large-scale pre-training dataset for music and song.
By Tawsif Ahmed, Andrej Radonjic, Gollam Rabby
arXiv:2606. 01686v1 Announce Type: cross Abstract: As generative platforms such as Suno and Udio reach human-grade audio quality, the scope of AI's utility has expanded across the entire music production workflow.
By Seonghyeon Go, Yumin Kim
DuoTok is a source‑aware dual‑track music tokenizer designed for vocal‑accompaniment generation. It first learns a semantic audio representation via self‑supervised pretraining, then refines source‑aware structure with feature‑replacement noise and multi‑task supervision (spectral reconstruction, source separation regularization, and an ASR head for lyric alignment). The encoder is frozen and hard‑routed codebooks for vocals and accompaniment are learned, while a diffusion decoder restores fine acoustic detail from the discrete tokens, achieving a favorable predictability‑fidelity trade‑off at ultra‑low bitrate across public benchmarks.
By Rui Lin, Zhiyue Wu, Jiahe Lei, Kangdi Wang, Weixiong Chen, Junyu Dai, Tao Jiang