arXiv:2608.28932v1 Announce Type: new
Abstract: Voice products increasingly need affective cues that are present in speech but absent from transcripts. We introduce VocalAffectBench, a public, test-o...
By Models Luc Debaupte, Tyler Baumgartner, Brandon Tai, Candice Fan, Bill Wang, Yi Zhong
The paper introduces a unified multitask learning framework for Music Emotion Recognition that simultaneously handles categorical and dimensional emotion labels, enabling training across multiple datasets. It leverages musical features such as key and chords, MERT embeddings, and employs knowledge distillation from teacher models to a student model to improve generalization. Experiments on MTG‑Jamendo, DEAM, PMEmo, and EmoMusic show that this approach outperforms state‑of‑the‑art models, including the top MediaEval 2021 entry.
By Jaeyong Kang, Dorien Herremans
arXiv:2606. 17126v1 Announce Type: cross Abstract: Singing style is a crucial aspect of a natural and expressive singing voice.
By Joon-Seung Choi, Dong-Min Byun, Seong-Whan Lee
arXiv:2606. 07309v1 Announce Type: cross Abstract: Instruction-following audio language models (ALMs) can be augmented with explicit acoustic cues, yet it remains unclear whether such cues are used in a grounded way when the raw audio is already available.
By Iosif Tsangko, Andreas Triantafyllopoulos, Bj\"orn W. Schuller
arXiv:2607. 16803v1 Announce Type: cross Abstract: Speech Emotion Recognition (SER) is an important component in a wide range of human-centered applications, including healthcare, customer service, and human-omputer interaction.
By Nelly Elsayed
arXiv:2606. 10278v1 Announce Type: cross Abstract: Speech Emotion Recognition (SER) aims to identify a speaker's emotional state from audio signals.
By Youcef Soufiane Gheffari, Samiya Silarbi