arXiv Computer Vision

Drag as Evidence: Motion-Grounded Latent Recomposition for Drag-Based Editing

Hugging Face Trending Papers
Aug 10

UniMoFlow: Grounding Instruction-Driven 3D Human Motion Editing in Generation

Instruction-driven editing of 3D human motion requires precise spatiotemporal localization, rich semantic grounding, and strict preservation of unmodified content. Existing methods either resort to training-free adaptation of generative models or rely solely on triplet supervision; however, adaptation often yields suboptimal control, and manually curated triplet datasets remain severely limited in scale and semantic diversity.

Hugging Face Trending Papers
Aug 10

SI-Edit: Toward Sketch-Instruction Guided Local Image Editing with Pixel-Level Precision

Despite rapid advances in generative models, achieving pixel-level precision in sketch-based image editing remains a persistent challenge, particularly for fine-grained local deformations. This gap stems primarily from the critical shortage of high-quality, publicly available benchmark datasets that jointly provide geometric constraints and semantic instructions.

arXiv AI
Sep 3

Bernini: Latent Semantic Planning for Video Diffusion

Bernini proposes a unified framework that separates semantic planning and pixel rendering for video generation and editing. An MLLM-based planner predicts target semantics in ViT embedding space, while a DiT-based renderer synthesizes pixels conditioned on this plan, text features, and source VAE features for editing. The approach introduces Segment-Aware 3D Rotary Positional Embedding and chain-of-thought reasoning, achieving state‑of‑the‑art performance on diverse video benchmarks.

By Bernini Team, Chenchen Liu, Junyi Chen, Lei Li, Lu Chi, Mingzhen Sun, Zhuoying Li, Yi Fu, Ruoyu Guo, Yiheng Wu, Ge Bai, Zehuan Yuan
arXiv Computer Vision
Sep 2

CameraEditor: Camera-Controlled Image Editing via Video-Prior Sequential Modeling

CameraEditor is a new framework that transforms camera-controlled image editing into a temporal sequence prediction problem. By using video diffusion models, it incorporates a geometric perception module and dynamic reference routing to create precise visual references through dynamic panorama cropping. The method also inserts intermediate transition frames to handle large perspective shifts, maintaining content identity and spatial coherence, and is evaluated on a dataset of 5,760 instances with a benchmark of 462 test cases, achieving state‑of‑the‑art performance.

By Xin Shen, Chengyou Jia, Keshuo Xing, Zifeng Zhu, Changliang Xia, Bowen Ping, Zhuohang Dang, Hangwei Qian, Minnan Luo
arXiv Computer Vision
Sep 14

Semantically Aligned Gradient-Driven Context-Preserving Image Editing

Semantically Aligned Gradient-Driven Context-Preserving Image Editing (IABEdit) is a model‑agnostic framework that embeds differentiable semantic verification into the training of generative image editors. By using a frozen vision‑language model to extract spatially‑aware descriptors from ground‑truth edits and a trainable aligner to reproduce them from generated outputs, the residual becomes a gradient that teaches the generator both what to edit and where, without adding inference‑time VLM cost. IABEdit is compatible with various backbones (e.g., U‑Net in Stable Diffusion and MMDiT in FLUX) and improves structural fidelity on MagicBrush, achieves state‑of‑the‑art instruction adherence on RealEdit and EMU Edit, and outperforms the proprietary Gemini agent on the D‑LORD surveillance benchmark under heavy occlusion. "whyItMatters":"IABEdit demonstrates that incorporating semantic verification during training can produce more accurate, well‑localized edits and outperform existing methods even in challenging surveillance scenarios, as shown by its superior metrics and human/GPT‑4o evaluations."

By Chiranjeev Chiranjeev, Muskan Dosi, Mayank Vatsa, Richa Singh
Hugging Face Trending Papers
Aug 17

VicEdit: Learning to Edit Videos from Visual In-Context Examples

Despite progress in instruction-based video editing, unimodal textual instructions inherently struggle to convey fine-grained textures and complex dynamics. To bridge this perceptual gap, we propose Visual In-context Editing, a new paradigm elevating video editing from textual instructions to multi-modal visual guidance encompassing single image, image pair, and video pair.

arXiv Computer Vision
Aug 27

TASE: Truncation-Aware Semantic Embeddings for 3D Scene Understanding and Editing

TASE introduces a truncation‑aware embedding space that projects pretrained 2D semantic features into 3D scene representations, allowing flexible and controllable editing. The method optimizes feature channels so that fewer channels yield abstract semantics while more channels preserve detail, and it enforces multi‑view consistency with a scale‑ and translation‑equivariant loss. A finetuning stage for the editing diffusion model further reduces artifacts from geometric changes, achieving competitive performance and outperforming prior methods on large‑scale geometric edits.

By Tim-Felix Faasch, Jochen Kall, Lucas Nunes, Jens Behley, Cyrill Stachniss
arXiv Computer Vision
Sep 23

ToW3D: Consistency-aware Interactive Point-based Mesh Editing on GANs

The paper introduces ToW3D, a method for precise and consistent control over 3D generative adversarial networks (GANs) using a Tug-of-War approach between shape deformation and appearance consistency. It addresses the challenge that 3D generators often lack generalization, leading to drastic global appearance changes when editing local mesh areas. ToW3D employs a two-step optimization—drag locally and shove globally—along with a structure adaptation module and a semantic preservation module, achieving superior appearance consistency and fidelity compared to prior methods, especially under large deformations.

By Haixu Song, Fangfu Liu, Chenyu Zhang, Yueqi Duan
arXiv Computer Vision
Aug 27

RefVideo-6M: A Reliable Reference-Based Dataset for Instructional Video Editing

RefVideo-6M is a new large-scale reference-guided editing dataset that includes 5 million video editing samples and 1 million image editing samples, each paired with about 6 million visual references. The dataset is constructed to avoid artifacts by using real, artifact‑free videos as targets and filtering input conditions with multiple editing experts, thereby providing reliable supervision. It enables models to learn fine‑grained visual correspondence beyond text‑only instructions and supports the training of a reference‑guided video editing model, Ref‑MoT, which shows improved visual quality, controllability, and reference consistency.

By Bojia Zi, Xiaoyan Yang, Yu Zhou, Ruijie Sun, Lihan Zhang, Bin Liang, Kam-Fai Wong, Haibin Huang, Chi Zhang, Xuelong Li