arXiv:2607.18227v2 Announce Type: replace Abstract: In line with the prevailing direction of vision research, we explore the integration of both generation and editing capabilities for video and imag...
arXiv:2607.07187v2 Announce Type: replace Abstract: Local editing of 3D objects remains a long-standing challenge. When interacting with 3D content, humans naturally tend to specify a coarse region o...
VINCIE‑NExT is a unified framework that transfers image editing capabilities to video editing by using in‑context visual demonstrations. It decomposes video editing into a chain of sub‑tasks (Video → Image → Image → Video), routing editing intent through the image domain and enabling joint training from heterogeneous image and video data under a single diffusion objective. The method introduces a novel position encoding to link image demonstrations and video frames, allowing pixel‑faithful appearance propagation, and supports test‑time scaling through progressive diffusion stages.
arXiv:2606.13345v2 Announce Type: replace Abstract: Existing 3D scene editing methods typically rely on per-scene optimization over explicit 3D representations or cascaded edit-and-reconstruct pipeli...
arXiv:2609.39157v1 Announce Type: new Abstract: Video object removal presents a uniquely difficult editing challenge. Because a removal prompt specifies only what to erase rather than what to generat...
arXiv:2610.35756v1 Announce Type: new Abstract: Recent advancements in text-guided 3D editing, particularly with 3D Gaussian Splatting (3DGS), have shown promise but still lag behind the flexibility...
STAGE is a training‑free, closed‑form framework for concept erasure in native text‑to‑3D generators. It treats erasure as a stage‑aware editing problem, applying low‑dimensional affine corrections separately to the structural and appearance stages of the pipeline. Experiments on the TRELLIS generator show that STAGE outperforms adapted baselines, achieving a composite score of 66.7 versus 53.2 across 15 shape, material, and object concepts.
arXiv:2610.01517v1 Announce Type: new Abstract: Text-driven human motion editing aims to realize a requested change while preserving compatible source content. Existing diffusion editors rely largely...
arXiv:2610.33292v1 Announce Type: new Abstract: Visual effects are often easier to demonstrate via reference than to describe in words. We study effect-reference editing, where a reference image show...
EditHero is presented as the first benchmark for long-horizon, part-level 3D editing, featuring natural-language instructions and target images for both geometry and texture. The benchmark uses a deterministic assembly engine that produces the exact target after each edit, and every sequence is manually reviewed. It compares non-agentic top‑down methods with LLM/VLM agent bottom‑up approaches, finding that the latter follow instructions more closely and preserve unedited parts better, though each edit takes minutes.
The paper introduces Endpoint‑Calibrated Transport (ECT), a closed‑form, training‑free image editor that performs inversion‑free editing with a single temporal field evaluation. ECT leverages a duality in variance‑preserving one‑step models to compute a local angular semantic tangent and a clean endpoint displacement from one source‑target query at a shared noisy state. By integrating the tangent over the remaining VP angle and correcting the extrapolation with the endpoint displacement, ECT requires only one noise level, two text conditions in one denoiser batch, and a single latent update, achieving stable quality gains in very short editing time.
Edit‑VAR is a training‑free, inversion‑free framework that uses a pretrained visual autoregressive video model for text‑guided video editing. It encodes the source video into multi‑scale discrete tokens and applies probability‑guided conditional token replacement, attention‑guided token‑wise and scale‑aware modulation, and scale‑decoupled generation to preserve source appearance while enabling precise edits. The method also includes residual‑guided token pruning to reduce inference cost, and experimental results show it outperforms existing training‑free video editing methods in fidelity, source preservation, temporal coherence, and efficiency.