RefVideo-6M is a new large-scale reference-guided editing dataset that includes 5 million video editing samples and 1 million image editing samples, each paired with about 6 million visual references. The dataset is constructed to avoid artifacts by using real, artifact‑free videos as targets and filtering input conditions with multiple editing experts, thereby providing reliable supervision. It enables models to learn fine‑grained visual correspondence beyond text‑only instructions and supports the training of a reference‑guided video editing model, Ref‑MoT, which shows improved visual quality, controllability, and reference consistency.
By Bojia Zi, Xiaoyan Yang, Yu Zhou, Ruijie Sun, Lihan Zhang, Bin Liang, Kam-Fai Wong, Haibin Huang, Chi Zhang, Xuelong Li
Edit‑VAR is a training‑free, inversion‑free framework that uses a pretrained visual autoregressive video model for text‑guided video editing. It encodes the source video into multi‑scale discrete tokens and applies probability‑guided conditional token replacement, attention‑guided token‑wise and scale‑aware modulation, and scale‑decoupled generation to preserve source appearance while enabling precise edits. The method also includes residual‑guided token pruning to reduce inference cost, and experimental results show it outperforms existing training‑free video editing methods in fidelity, source preservation, temporal coherence, and efficiency.
By Chongbo Zhao, Jiangming Wang, Xilai Wang, Xinyu Wang, Jingyi Tang, Chunjie Hao, Pengjie Song, Yue Ma
arXiv:2610.22744v1 Announce Type: new
Abstract: Creative intent in video editing can be expressed through text instructions (e.g., "remove the people"), image references (e.g., subject appearance), v...
By Xiaoyan Cong, Tianyu Wang, Hyeonho Jeong, Zhifei Zhang, Yuqian Zhou, Yijun Li, Shaoteng Liu, Zhe Lin, Srinath Sridhar, Soo Ye Kim
VINCIE‑NExT is a unified framework that transfers image editing capabilities to video editing by using in‑context visual demonstrations. It decomposes video editing into a chain of sub‑tasks (Video → Image → Image → Video), routing editing intent through the image domain and enabling joint training from heterogeneous image and video data under a single diffusion objective. The method introduces a novel position encoding to link image demonstrations and video frames, allowing pixel‑faithful appearance propagation, and supports test‑time scaling through progressive diffusion stages.
By Leigang Qu, Feng Cheng, Ziyan Yang, Bangbang Yang, Zhaoyang Huang, Wei Chow, Yicong Li, Wenjie Wang, Tat-Seng Chua, Yan Zeng
MTEdit is a new multi‑turn image editing dataset that uses packed trajectory canvas (PTC) generation to create 500K editing trajectories, each up to eight turns with an average of 5.38 turns. The dataset addresses visual‑quality drift by jointly generating multiple editing states within a unified visual context, covering both step‑wise and context‑aware editing scenarios. MTEdit-Bench evaluates models on instruction following, content consistency, visual‑quality drift resistance, and historical context usage, and fine‑tuned Qwen‑Image‑MTEdit outperforms other open‑source models on this benchmark.
By Houyuan Chen, Fanzhou Wang, Xiangyu Fan, Songlin Yang, Zhitao Yang, Lvmin Zhang, Pei Yang, Hao Zhao, Lei Yang, Anyi Rao
arXiv:2606. 01213v1 Announce Type: cross Abstract: Despite tremendous recent progress, current text-guided image editing methods still struggle with many aspects of editing involving instruction following, minimally editing the source image, and ensuring high visual quality.
By Aishwarya Agrawal, Roy Hirsch, Yasumasa Onoe, Sherry Ben, Jason Baldridge
SemantiScene-Edit is a video editing system that uses a multimodal encoder and a pretrained video diffusion transformer to follow natural‑language instructions while preserving the source video’s appearance and temporal structure. The encoder processes source frames and the instruction together, sending semantic queries to the generator via a trainable connector and cross‑attention. A dual‑path visual route concatenates source‑video latents with noisy target latents to provide dense spatial and temporal information, and the model is trained with flow matching and a three‑stage curriculum on over 1.2 million instruction‑conditioned records, with a 100‑case benchmark for evaluation.
By Xinyu Chen, Song Wu, Dingbao Shao, Jiahang Li, Jiang Lin, Yuhang Liu, Duo Li, Jiaxin Hu, Shengrong Gu, Liang Li, Qian Wang, Junlan Feng, Ying Tai, Jian Yang, Zili Yi
The paper introduces WeGenEditBench, a benchmark with 2,740 evaluation instances and 148 task types for image editing, focusing on local failure detection and prioritization for model improvement. It also presents WeGenEvoStudio, a multi‑agent harness that supports recursive self‑improvement by diagnosing failures, constructing retrieval‑grounded data, and adapting models. Experiments show that models such as GPT‑Image‑2 and Seedream‑5.0‑Pro excel in single‑image and text‑intensive editing, and evolution experiments demonstrate significant targeted gains on selected benchmarks.
By Jun He, Canmiao Fu, Ying Zhang, Zhipeng Huang, Chenyu Mu, Yazhen Xie, Chen Li, Jing Lyu, Weijia Li, Xiang Zhang
PreciseEdit is a new one‑step image editing framework that improves semantic transport by applying strong target‑directed changes only along reliable directions and spatial locations. It is model‑agnostic, training‑free, and inversion‑free, and uses a dual‑noise‑scale strategy to balance strong editing with background fidelity and structural consistency. Experiments on PIE‑Bench show that PreciseEdit outperforms existing methods across a range of editing tasks.
By Jingyi Wang, Xiao Lu
arXiv:2607.18227v2 Announce Type: replace
Abstract: In line with the prevailing direction of vision research, we explore the integration of both generation and editing capabilities for video and imag...
By Dingyun Zhang, Lixue Gong, Wei Liu
Recent advances in unified multimodal models have significantly improved text-guided image editing abilities. In particular, models such as Nano-Banana-Pro and GPT-Image-2 demonstrate emerging capabilities in multi-source image editing (MIE), including tasks such as object synthesis, person-background composition, and cross-image style fusion.
OmniEdit-Bench introduces a comprehensive benchmark for instruction-based video editing (IVE), addressing limitations of existing datasets by covering spatial, temporal, audio, and reference-based editing tasks and distinguishing explicit from implicit instructions. The evaluation framework assesses editing quality across accuracy, preservation, realism, and consistency, using human judgments and vision-language models, and incorporates an accuracy-aware penalty to ensure instruction fidelity. Experiments reveal that current IVE models perform poorly, highlighting the need for improved methods.
By Chenxuan Miao, Yutong Feng, Yi Lu, Yunfeng Yan, Donglian Qi, Shiwei Zhang, Yu Liu, Xi Chen, Hengshuang Zhao