Low-light imaging often introduces color bias caused by the low signal-to-noise ratio and the image formation process. Although recent low-light image enhancement methods have achieved strong brightness recovery, faithful color restoration remains challenging, manifesting as overall color bias together with local under- and over-saturation.
arXiv:2604. 10359v3 Announce Type: replace-cross Abstract: Low-light image enhancement (LLIE) aims to restore natural visibility, color fidelity, and structural detail under severe illumination degradation.
The paper introduces Colorist, a data‑augmentation method that uses classical statistical color matching to generate domain‑shifted medical images. By applying global mean‑standard‑deviation matching in RGB space, Colorist creates structurally intact variations without neural networks, outperforming deep generative models in fidelity and color alignment. Across multiple medical imaging datasets, it boosts balanced accuracy by up to 9% over state‑of‑the‑art domain‑generalization regularizers and 13% over no augmentation, while reducing computational cost and preserving anatomical structure.
arXiv:2608. 19860v1 Announce Type: new Abstract: Single-shot exposure correction aims to map an arbitrarily degraded image---whether under-exposed, over-exposed, or a spatial mixture of both---to a well-exposed output from a single capture.
arXiv:2609.18302v1 Announce Type: new Abstract: RAW-to-sRGB image signal processing (ISP) must recover perceptually faithful colors and fine details from sensor measurements, often under imperfect sp...
arXiv:2608. 10798v1 Announce Type: cross Abstract: Most image colorization systems operate in $Lab$ space by predicting chroma ($ab$) while preserving an input-derived luminance channel ($L$).
arXiv:2609.14495v1 Announce Type: new Abstract: Image colorization is an inherently ill-posed task, since a single grayscale image may correspond to multiple plausible colorized results. Consequently...
Low-light image enhancement is severely ill-posed when the input frame contains missing structure, saturated noise, and weak local contrast. Event cameras provide asynchronous brightness-change observations with high temporal resolution, but prior works often treat voxel channels as an unordered or static feature stack before fusion, rather than explicitly modeling their within-window temporal evolution, weakening the temporal evidence that makes events useful.
DPSF-Net is a dual‑prior spatial‑frequency network designed for real‑world remote sensing image dehazing. It combines hazy RGB images with dark channel prior maps as joint inputs, and incorporates a spatial‑frequency residual interaction block, a prior‑guided feature attention module, and a selective kernel complementary fusion module to reduce colour shift, structural distortion, and large‑scale haze. Experiments show that DPSF-Net achieves state‑of‑the‑art performance on the RRSHID benchmark while maintaining a favorable balance of restoration quality, parameter count, and computational complexity.
arXiv:2609.12798v1 Announce Type: new Abstract: Camouflaged object detection (COD) is an important engineering task in intelligent optical perception, but it remains challenging when targets closely...
The paper proposes replacing traditional one-dimensional correlated color temperature (CCT) interpolation with a two-dimensional chromaticity approach for in-camera colorimetric mapping. By training a lightweight multi-layer perceptron (MLP) on a lightbox calibration that includes representative LED sources, the method achieves a 22% average reduction in angular reproduction error across diverse LED lighting. It remains compatible with conventional illuminants, handles multi-illuminant scenes, and can be deployed in real time with minimal computational overhead.
Paint-Anything introduces a unified hex-prompt interface that allows users to specify any 24‑bit hex color for both image generation and editing. The method trains on a new Paint‑500K dataset created from real images with object grounding, perceptual color labeling, and editing‑pair synthesis, and supplements this with pure‑color anchors to address shadow‑induced color inaccuracies. Evaluated on the newly proposed Any Color Benchmark (ACBench), Paint‑Anything achieves significant improvements over the base FLUX.2‑4B model, boosting T2I and editing scores by 85.3 % and 28.3 % respectively, and outperforms competing methods on the CompColor metric.