arXiv:2606. 09839v1 Announce Type: cross Abstract: How might implicit aesthetic perspectives shape what Information Systems (IS) scholarship recognises as worthy of study (or not)?
By Angelina Chen, Rick Sullivan, Raffaele F Ciriello
arXiv:2609.13352v1 Announce Type: cross
Abstract: We present three robotic art installations which explore the aesthetics of adaptive behavior. Through embodied machine leaning and digital evolution,...
By Sofian Audry, Stephen Kelly
Data-driven beauty: How The Estée Lauder Companies unlocks insights with ChatGPT
arXiv:2608. 14405v1 Announce Type: cross Abstract: Art style is a signature of professional digital artists that develops through repeated experimentation, reflection, and adaptation.
By Wen-Fan Wang, TsaiHsuan Lin, Chi-Lan Yang, An-Ru Cheng, Bing-Yu Chen
Editable Visual Design introduces a new design paradigm that combines a Coding Agent with a Vision‑Language Model (VLM) and an image generation model. The VLM acts as the creative brain, understanding requirements, planning tasks, and judging aesthetics, while the image generator produces isolated visual assets on demand. The agent follows an "imagine first, then act" workflow, generating assets, writing native HTML/CSS, and refining the design through visual feedback, ultimately producing editable, layer‑wise artifacts with real text that can be adjusted via a graphical interface.
By Junyan Ye, Wei Liu, Dongzhi Jiang, Zichen Wen, HaoDong Li, Zhutao Lv, Jiaxin Lin, Jinhua Yu, Jun He, Zilong Huang, Rui Chen, Weijia Li
arXiv:2607.
By Ahmed M. Abuzuraiq, Philippe Pasquier
arXiv:2607. 28644v1 Announce Type: cross Abstract: Creativity in computational systems is often evaluated as an objective property of artifacts, with existing Computational Creativity (CC) frameworks assessing creative merit at the level of outputs or systems rather than interpretive context.
By Prerna Luthra
arXiv:2606. 26299v1 Announce Type: new Abstract: While generative AI has achieved remarkable success in solving problems with verifiable solutions, generating physical art that satisfies both strict geometric constraints and subjective visual aesthetics remains a challenge.
By Tom Zahavy, Shaobo Hou, Thomas Tumiel, James Doran, Francesco Faccio, Xidong Feng, Alex Havrilla, Igor Khytryi, Chenglei Li, Lisa Schut, Vivek Veeriah, Arijan Abrashi, Micha{\l} Kosmulski, Robert J. Lang, Nick Robinson, Brandon Wong, Marcus Chiam, Gloria Fang, Satinder Singh
AesCanvas is a new dataset and benchmark that evaluates image aesthetic models on two fronts: CritiqueCanvas, which contains 519,136 instruction–response pairs for long‑form, multi‑dimensional critique across photography, painting, and virtual imagery, and ContextCanvas, which offers 301 expert‑reviewed use scenarios to assess contextual aesthetic suitability. The benchmark tests closed‑source, open‑weight general, and aesthetic‑specific multimodal large language models, revealing that models excel at critique generation but lag in context‑sensitive judgment. The study shows that aesthetic specialization does not reliably transfer to contextual suitability and highlights the need for culturally situated, evidence‑grounded suitability as a distinct objective for aesthetic modeling.
By Xuanwei Hu, Haoyu Dong, Kejun Wu, Tianyi Liu, Jianjun Gao
arXiv:2607. 09705v1 Announce Type: cross Abstract: Since 2023, computer scientists have warned against model collapse -- the contamination of training sets with AI-generated outputs that progressively degrade model performance.
By Violaine Boutet de Monvel (LIRA, IRCAV)
AI can enrich lives through beauty and creativity, and its artistic potential shines in "Sleeping Beauties: Reawakening Fashion," a collaborative exhibit from The Met's Costume Institute.
arXiv:2603. 13312v2 Announce Type: replace-cross Abstract: Interior design is a requirements-to-visual-plan generation process that must simultaneously satisfy verifiable spatial feasibility and comparative aesthetic preferences.
By Yuxuan Yang, Xiaotong Mao, Jingyao Wang, Fuchun Sun