arXiv:2606. 28769v1 Announce Type: new Abstract: Emotional body motion expressions are an essential element of non-verbal communication.
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EMODY Flow is a lightweight flow‑matching framework that generates synchronized full‑body motion and facial expressions conditioned on speech and emotion. It attaches to a frozen Qwen‑3 Omni model, reusing its audio codecs to drive two parallel DiT generators for SMPL‑X body pose and FLAME facial expressions. An auxiliary emotion classifier at training time restores emotion sensitivity, enabling EMODY Flow to achieve state‑of‑the‑art gesture quality on BEAT2 and zero‑shot facial animation on TFHP, with significant improvements in FGD, Beat Correlation, and Diversity metrics.
This paper introduces a Conditional Variational Autoencoder (CVAEs) approach that generates realistic, controllable emotional facial expressions for virtual humans. Trained on a small dataset of 7,680 samples covering six basic emotions at low and high intensity, the model learns latent representations that preserve key expressive characteristics across intensity levels. The method enables animators to produce emotionally expressive virtual characters without actor performances or manual artistic effort.
HUG‑VIS is a unified multimodal benchmark for human‑centered visual intelligence, comprising 8,400 half‑body videos of 30 professional actors performing 280 emotion‑action prompts in Mandarin. The dataset provides synchronized video, audio, text, and alpha mattes for four tasks—human emotion recognition, video generation, voice cloning, and video matting—allowing evaluation of both open‑ and closed‑source models under a zero‑shot protocol. Results reveal that linguistic cues dominate emotion recognition, visual affect is weakest, and that automatic metrics and human judgments diverge in generation and cloning tasks, while motion‑related boundary fidelity remains a key challenge for matting.
arXiv:2607. 00296v1 Announce Type: cross Abstract: Human motion forecasting in unconstrained real-world videos remains challenging due to the ambiguity of future behaviors and the presence of noisy multimodal observations.
arXiv:2608.20905v1 Announce Type: new Abstract: Face-to-face audiovisual interaction is central to human communication, conveying rich emotional and social cues. However, existing multimodal dialogue...
arXiv:2607. 20820v1 Announce Type: new Abstract: Body-based emotion recognition is important for real-time affective systems, but graph-based skeleton models can be computationally expensive.