The paper introduces a supervised end-to-end benchmark for restoring orchestral historical music, addressing the lack of ground-truth pairs in early‑20th‑century recordings. It simulates the historical degradation process more accurately than prior work and trains a latent flow‑matching model that surpasses existing HMR baselines in various evaluations. Additionally, the authors release a 9.3‑hour license‑free test set, code, and audio demos for the community.
arXiv:2508.03448v4 Announce Type: replace-cross Abstract: Music recordings often suffer from audio quality issues such as excessive reverberation, distortion, clipping, tonal imbalances, and a narrow...
Spot, Separate, and Enhance (SSE) is a multimodal, user‑guided generative model for audio remixing and enhancement. It rebalances audio, removes unwanted sources, and reduces reverberation using video and textual guidance. The authors introduce the DegradedMix dataset and adopt generative evaluation metrics, showing SSE outperforms existing baselines in controllability and remixing quality.
arXiv:2608. 04142v1 Announce Type: cross Abstract: Existing reference-free methods for evaluating music perceptual quality alleviate the need for paired noisy-clean data, but they still rely on a background set, which is used to compute aggregated statistics of clean audio samples.
Generalizable Audio-to-Score (A2S) transcription is fundamentally constrained by the severe scarcity of high-quality, real-world paired data. Relying solely on existing human-annotated datasets often...
arXiv:2606. 13626v2 Announce Type: replace-cross Abstract: We study generative modeling of Bach-style symbolic piano music using a shared MIDI corpus and three model families: autoregressive LSTMs with attention, latent-variable models including recurrent VAEs and vector-quantized VAEs, and generative adversarial networks.
arXiv:2506. 14293v4 Announce Type: replace-cross Abstract: We present Sleeping-DISCO 9M, a large-scale pre-training dataset for music and song.
arXiv:2607. 00777v1 Announce Type: cross Abstract: Recognizing jazz standards from audio is a challenging form of tune-level music retrieval: different performances of the same standard may vary in tempo, key, arrangement, instrumentation, improvisational content, and even whether the head melody is present.
We study generative modeling of Bach-style symbolic piano music using a shared MIDI corpus and three model families: autoregressive LSTMs with attention, latent-variable models including recurrent VAEs and vector-quantized VAEs, and generative adversarial networks. We compare their ability to model polyphonic note sequences, learn useful latent representations, and generate stylistically coherent compositions.
Spot, Separate, and Enhance (SSE) is the first multimodal, user‑guided generative model for audio remixing and enhancement. It rebalances audio, removes unwanted sources, and reduces reverberation in video content, guided by both video and textual descriptions. The authors introduce the DegradedMix dataset, built on MuddyMix, and use generative‑model evaluation metrics to demonstrate SSE’s superior controllability and remixing quality compared to existing baselines.
TUTTI is a new pre‑training framework for audio‑to‑score transcription that uses a large, fully synthetic multi‑instrument dataset generated by a symbolic music model. The approach trains a standard Transformer encoder‑decoder on these synthetic audio‑score pairs, producing a stronger foundational representation than single‑instrument training. When fine‑tuned on real datasets, TUTTI surpasses prior methods, achieving state‑of‑the‑art results and demonstrating strong cross‑instrument transferability.
arXiv:2607. 23395v1 Announce Type: cross Abstract: Music Source Separation (MSS), the task of recovering individual sound components (stems) from a polyphonic mixture, is central to applications ranging from karaoke and remixing to audio restoration and content production.
The paper introduces a lightweight technique to steer the pitch content of audio generated by the Stable Audio Open diffusion model. A small convolutional probe (~125k parameters) is trained to decode frame‑level pitch‑class activations from the model’s latent space using paired audio and MIDI data. During inference, the frozen probe acts as a differentiable loss, guiding generation toward a user‑specified pitch‑class sequence without retraining the base model, and improves melodic coherence by 2.4× over the unguided baseline.