arXiv:2608. 04142v1 Announce Type: cross Abstract: Existing reference-free methods for evaluating music perceptual quality alleviate the need for paired noisy-clean data, but they still rely on a background set, which is used to compute aggregated statistics of clean audio samples.
Spot, Separate, and Enhance (SSE) is a multimodal, user‑guided generative model for audio remixing and enhancement. It rebalances audio, removes unwanted sources, and reduces reverberation using video and textual guidance. The authors introduce the DegradedMix dataset and adopt generative evaluation metrics, showing SSE outperforms existing baselines in controllability and remixing quality.
Spot, Separate, and Enhance (SSE) is the first multimodal, user‑guided generative model for audio remixing and enhancement. It rebalances audio, removes unwanted sources, and reduces reverberation in video content, guided by both video and textual descriptions. The authors introduce the DegradedMix dataset, built on MuddyMix, and use generative‑model evaluation metrics to demonstrate SSE’s superior controllability and remixing quality compared to existing baselines.
arXiv:2608. 14916v1 Announce Type: cross Abstract: AI-generated music detectors are commonly evaluated against original songs, but real-world uploads are often remixed, re-encoded, pitch-shifted, or otherwise edited.
arXiv:2508.03448v4 Announce Type: replace-cross Abstract: Music recordings often suffer from audio quality issues such as excessive reverberation, distortion, clipping, tonal imbalances, and a narrow...
arXiv:2602. 03762v4 Announce Type: replace-cross Abstract: Visually-guided acoustic highlighting seeks to rebalance audio in alignment with the accompanying video, creating a coherent audio-visual experience.
arXiv:2608. 14819v1 Announce Type: cross Abstract: Music foundation models are commonly used as frozen audio feature extractors, yet selecting which layer to extract from remains largely heuristic.
PRISM‑Bench is an audio‑centric diagnostic benchmark for text‑to‑audio‑video generation, built from 900 human‑verified samples. It evaluates audio along two axes—audio type (speech, music, sound) and sound‑source visibility (on‑screen vs. off‑screen)—across four perceptual dimensions (audio‑visual coherence, audio quality, audio expressiveness, and prompt following) using 35 fine‑grained criteria. The benchmark employs an enhanced MLLM‑as‑a‑Judge protocol that aligns strongly with human raters, revealing a performance gap between frontier and open‑source T2AV models and highlighting overfitting to perceptual fidelity while struggling with complex grounding and control tasks, especially for music and synchronized on‑screen audio.
arXiv:2603. 23667v2 Announce Type: replace-cross Abstract: We introduce Echoes, a new dataset for music deepfake detection designed for training and benchmarking detectors under realistic and provider-diverse conditions.
arXiv:2606. 16612v1 Announce Type: cross Abstract: The rapid advancement of AI music generators highlights the urgent need for reliable Synthetic Song Detection (SSD).
arXiv:2607. 27909v1 Announce Type: cross Abstract: Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes.
arXiv:2607. 20253v1 Announce Type: cross Abstract: In this report, we present a unified song generation framework capable of producing high-quality full-length music from lyrics, text descriptions, and musical attributes.
Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes. However, these methods often disregard dependencies between notes, which poses a potential limitation in assessing the similarity between two sets of performances.