AuraLuxMuse is a system that automates aesthetic stage lighting design by integrating expert knowledge, representation learning, and preference-adaptive modeling. It encodes music and professional cue sequences into a shared retrieval space, estimates cue-event density, and retargets fixture commands to the stage, providing editable cues for designers. The system features Lighting‑Aligned Music Pretraining (LAMP) for audio‑lighting alignment and Preference‑Adaptive Mixture of Experts (PAMoE) for designer‑intent‑driven cue adaptation, and is evaluated using the new Musilux dataset and both virtual and professional labs.
We present AuraLuxMuse, a novel system for automated aesthetic stage lighting design that integrates expert knowledge, representation learning, and preference-adaptive modeling. Lighting design in live performance settings requires the seamless translation of musical features into dynamic lighting behaviors.
arXiv:2606. 30642v1 Announce Type: cross Abstract: Full-length song generation must preserve coherence and musicality, render detailed vocal and accompaniment acoustics, and follow lyrics and prompts.
arXiv:2608. 06751v1 Announce Type: cross Abstract: Artist-grounded image generation requires more than appending an artist name to a prompt.
Music-driven dance video generation aims to synthesize expressive human motion that is temporally aligned with music while maintaining high visual fidelity. Despite recent progress, existing methods still face two key limitations: the lack of large-scale, high-quality dance video datasets, and the absence of principled frameworks for integrating music as a complementary conditioning signal into Video Generation Foundation Models.
The paper introduces MixAgent, an agentic pipeline for music post‑production that emulates audio engineers’ workflow to create interpretable and editable mixing plans guided by a reference song. It employs a grouping agent to cluster related tracks, a planning agent to select and order audio effects, and a detector‑critic pair to refine the mix by identifying needed corrections and proposing parameter adjustments. The authors also present MixCritic, a dataset of 45,657 repair critiques, and demonstrate that supervised fine‑tuning followed by preference optimization improves mix quality, achieving a 19% error reduction on MedleyDB and outperforming several large language models in human listening tests.
arXiv:2502. 00023v2 Announce Type: replace-cross Abstract: Our research explores the development and application of musical agents, human-in-the-loop generative AI systems designed to support music performance and improvisation within co-creative spaces.
arXiv:2606. 22726v2 Announce Type: replace Abstract: Choreographic motion generation poses unique challenges for AI, demanding precise semantic control over complex, temporally structured, and expressive full-body dynamics.
arXiv:2606. 24307v1 Announce Type: cross Abstract: Interactive music and live performance relies on real-time human expression, but modern generative music AI remains largely absent from this domain due to its prohibitive inference latency and offline rendering paradigm.
arXiv:2512. 02652v2 Announce Type: replace-cross Abstract: Existing methods for expressive music performance rendering, a conditional generation task that aims to generate a human-like performance from a symbolic score, rely on supervised learning over small labeled datasets, which limits scaling of both data volume and model size, despite the availability of vast unlabeled music, as in vision and language.
arXiv:2606. 00629v1 Announce Type: cross Abstract: Sound design workflows frequently oscillate between time-consuming library searches and the complexity of procedural synthesis, with practitioners typically relying on disconnected tools to address each challenge separately.
arXiv:2606. 01703v1 Announce Type: cross Abstract: We address the challenge of generating high-fidelity, long-form soundtracks that remain coherent across scene transitions.
arXiv:2607. 09973v1 Announce Type: cross Abstract: Industrial sound design requires audio generation systems that not only produce realistic audio, but also preserve the perceptual identity of a reference, support controllable variation, and remain efficient for practical workflows.