arXiv AI

Emotion Profiling in LLM-Based Literary Translation: Systematic Shifts Across MT and Post-Editing

arXiv:2606. 10113v1 Announce Type: cross Abstract: This paper investigates whether LLM translations exhibit identifiable emotional profiles and how post-editing reshapes them toward human-like norms.

arXiv AI
Sep 2

Some Emotions Run Deeper: Layer-wise Probing and Causal Intervention in Large Language Models

The study examines how emotions are represented across layers of large language models (LLMs) by probing eight 1B–9B open‑weight models on three datasets (Twitter, Reddit, autobiographical narratives). It finds that the optimal probing layer varies systematically with the dataset, moving from near‑input layers to deeper layers, and that targeted forward‑pass interventions on these layers degrade performance more than random interventions. Additionally, the selected layers transfer across datasets and emotion categories, and early‑exit representations from these layers outperform full‑depth exits by an average of 6.9 percentage points.

By Tian Fang, Ga\"el Guibon, Davide Buscaldi
arXiv Computation and Language
Sep 10

AI translation of literary texts is "fine", but readers still prefer human translations

arXiv:2606.26040v2 Announce Type: replace Abstract: AI translation of literary works is increasingly common. While the content may be rendered adequately, we do not know enough about how readers expe...

By Yves Ferstler, Adam Podoxin, Ty Brassington, Ga\"elle Laperri\`ere, Roman Grundkiewicz, Marie-Jean Meurs, Maite Taboada, Marzena Karpinska
arXiv Computation and Language
Sep 1

Learning from Many Voices: Literary MT Using Multi-Reference Human and Synthetic Data

The paper explores how to improve literary machine translation by using datasets that contain multiple valid translations of the same source text. It introduces a filtering framework that selects source texts whose references show meaningful variation while staying faithful, based on semantic similarity. Experiments show that fine‑tuning on medium to high similarity data outperforms low similarity data, and that using only this filtered subset can match or exceed performance achieved with the full unfiltered set. Additionally, the study compares synthetic translations generated by large language models with human expert translations, finding that fine‑tuning on human expert data yields better results in both automatic metrics and human evaluations, underscoring the continued importance of expert translations for literary MT.

By Si Wu, John Wieting, David A. Smith
arXiv Machine Learning
Sep 22

Replicating the Geometry of Emotion Representations in a Base Open-Weights Model

Sofroniew et al. (2026) showed that emotion concepts in Claude Sonnet 4.5 are encoded as vectors whose geometry mirrors human affect psychology. This study replicates that finding using the base pretrained model google/gemma-2-27b, generating 205,200 Claude Sonnet 4.5 stories, extracting 171 emotion vectors, and recovering a similar affective circumplex with principal components explaining comparable variance. The analysis further identifies a sharp geometric seam at layers 22‑26, demonstrates that much of the geometry already exists in static token embeddings, and shows that the geometry predicts token‑level co‑activation with high correlation.

By Adam Hollowell
arXiv Computation and Language
Sep 11

CHRONOBERG: Capturing Language Evolution and Temporal Awareness in Foundation Models

CHRONOBERG is a temporally structured corpus of English book texts covering 250 years, curated from Project Gutenberg and enriched with temporal annotations. It enables quantification of lexical semantic change via time‑sensitive Valence‑Arousal‑Dominance analysis and the creation of historically calibrated affective lexicons. Experiments show that language models trained sequentially on CHRONOBERG struggle to encode diachronic shifts, highlighting the need for temporally aware training and evaluation pipelines.

By Niharika Hegde, Subarnaduti Paul, Lars Joel-Frey, Manuel Brack, Kristian Kersting, Martin Mundt, Patrick Schramowski