OmniVBench introduces a comprehensive benchmark and a large-scale dataset for omni reference-to-video (R2V) generation, addressing gaps in existing evaluations that focus only on limited reference types and holistic consistency. The benchmark expands evaluation across 7 task families and 18 fine-grained tasks, covering content, motion, style, structure, narrative, and multi-reference settings, and employs a factor‑grounded evaluation with 12,172 checklist items to assess preservation, disentanglement, and routing of reference factors. The accompanying Omni‑R2V Dataset provides 340K training samples derived from professional video footage, along with task‑specific pipelines for scalable data construction, enabling broader research and revealing performance gaps in current R2V models.
By Wenxue Li, Peiyan Guan, Haoyang Jiang, Junxian Cai, Hualuo Liu, Chunjie Zhang, Chong Guan, Songlian Li, Taiyi Wu, Yongjian Yu, Xiaotong Zhao, Alan Zhao, Eric Liu, Xi Chen, Yu Liu, Lei Zhu
arXiv:2607.18227v2 Announce Type: replace
Abstract: In line with the prevailing direction of vision research, we explore the integration of both generation and editing capabilities for video and imag...
By Dingyun Zhang, Lixue Gong, Wei Liu
RefVideo-6M is a new large-scale reference-guided editing dataset that includes 5 million video editing samples and 1 million image editing samples, each paired with about 6 million visual references. The dataset is constructed to avoid artifacts by using real, artifact‑free videos as targets and filtering input conditions with multiple editing experts, thereby providing reliable supervision. It enables models to learn fine‑grained visual correspondence beyond text‑only instructions and supports the training of a reference‑guided video editing model, Ref‑MoT, which shows improved visual quality, controllability, and reference consistency.
By Bojia Zi, Xiaoyan Yang, Yu Zhou, Ruijie Sun, Lihan Zhang, Bin Liang, Kam-Fai Wong, Haibin Huang, Chi Zhang, Xuelong Li
arXiv:2609.15863v1 Announce Type: new
Abstract: Video diffusion models are stochastic and hard to control: precise content often requires repeated sampling without guaranteed success, and long-horizo...
By Xiaofeng Mao, Peijia Lin, Shaohao Rui, Yibo Zhang, Haibin Wan, Weijie Ma
VINCIE‑NExT is a unified framework that transfers image editing capabilities to video editing by using in‑context visual demonstrations. It decomposes video editing into a chain of sub‑tasks (Video → Image → Image → Video), routing editing intent through the image domain and enabling joint training from heterogeneous image and video data under a single diffusion objective. The method introduces a novel position encoding to link image demonstrations and video frames, allowing pixel‑faithful appearance propagation, and supports test‑time scaling through progressive diffusion stages.
By Leigang Qu, Feng Cheng, Ziyan Yang, Bangbang Yang, Zhaoyang Huang, Wei Chow, Yicong Li, Wenjie Wang, Tat-Seng Chua, Yan Zeng
MotionCoach is a multimodal agent designed to generate precise guidance for professional motion editing in videos. It constructs grounded prompts and reference clips through multi‑turn tool use and self‑verification, leveraging a training pipeline that includes a 10k SFT dataset and a 2k RL dataset optimized with Group Relative Policy Optimization. Evaluation on the VPMEBench benchmark shows significant performance gains, raising overall scores from 55.1 to 65.6 on Seedance 2.0 and from 51.2 to 64.5 on MiniMax‑H3.
By Siyi Qian, Hanqing Yang, Weihuang Lin, Zihao Yang, Yichen Lu, Yuanhong Zheng, Sheng Li
Recent advances in generative video modeling have enabled diverse generation, reference-based synthesis, extension, and editing, but existing approaches often rely on fragmented task-specific models. A general model must distinguish heterogeneous target, source, and reference signals to determine what to generate, preserve, or use as guidance, while reducing interference among tasks.
arXiv:2604. 06010v2 Announce Type: replace Abstract: Video fundamentally intertwines two crucial axes: the dynamic content of a scene and the camera motion through which it is observed.
By Yukun Wang, Ruihuang Li, Jiale Tao, Shiyuan Yang, Liyi Chen, Zhantao Yang, Handz, Yulan Guo, Shuai Shao, Qinglin Lu
The paper introduces Sora100K, a dataset that captures AI‑Native video creation workflows as structured trajectories rather than isolated clips. It categorizes trajectories into text‑to‑video generation roots, single‑turn editing edges, and multi‑turn editing sequences, annotating each with semantic and operation labels via a VLM. A rigorous construction pipeline ensures accurate source‑to‑edit lineage and intermediate states, and lightweight adaptation on LTX‑2 models demonstrates improved visual quality, multi‑shot generation, and cross‑shot consistency, though multi‑turn editing remains challenging.
By Sicong Yang, Ruihuan Yang, Jian Lu, Jianfei Yuan, Xiaodong Cun, Xiuli Bi
Bernini proposes a unified framework that separates semantic planning and pixel rendering for video generation and editing. An MLLM-based planner predicts target semantics in ViT embedding space, while a DiT-based renderer synthesizes pixels conditioned on this plan, text features, and source VAE features for editing. The approach introduces Segment-Aware 3D Rotary Positional Embedding and chain-of-thought reasoning, achieving state‑of‑the‑art performance on diverse video benchmarks.
By Bernini Team, Chenchen Liu, Junyi Chen, Lei Li, Lu Chi, Mingzhen Sun, Zhuoying Li, Yi Fu, Ruoyu Guo, Yiheng Wu, Ge Bai, Zehuan Yuan
arXiv:2606. 13289v1 Announce Type: cross Abstract: Holistic visual tokenizers are fundamental to unified multimodal models (UMMs) as they map diverse visual inputs into a unified representation space.
By Guozhen Zhang, Xuerui Qiu, Yutao Cui, Tianhui Song, Changlin Li, Junzhe Li, Tao Huang, Xiao Zhang, Yang Li, Jianbing Wu, Miles Yang, Zhao Zhong, Liefeng Bo, Limin Wang
Despite progress in instruction-based video editing, unimodal textual instructions inherently struggle to convey fine-grained textures and complex dynamics. To bridge this perceptual gap, we propose Visual In-context Editing, a new paradigm elevating video editing from textual instructions to multi-modal visual guidance encompassing single image, image pair, and video pair.