arXiv:2506. 01982v5 Announce Type: replace-cross Abstract: This study investigates emotional expression and perception in music performance using computational and neurophysiological methods.
By Vassilis Lyberatos, Spyridon Kantarelis, Ioanna Zioga, Christina Anagnostopoulou, Giorgos Stamou, Anastasia Georgaki
arXiv:2502. 00023v2 Announce Type: replace-cross Abstract: Our research explores the development and application of musical agents, human-in-the-loop generative AI systems designed to support music performance and improvisation within co-creative spaces.
By Keon Ju M. Lee, Philippe Pasquier
arXiv:2607. 05902v1 Announce Type: cross Abstract: Chamber music, as a highly precise multi-part interactive system, contains a logic of "role assignment and dynamic interaction" that provides an extremely valuable blueprint for exploring human-computer collaborative composition paradigms.
By Yakun Liu, Zhiyu Jin, Hai Luan, Dong Liu, Xiaonan Li
arXiv:2607. 28876v1 Announce Type: cross Abstract: Music is often used as a medium for communicating emotion, with performers shaping perceived affect through interpretation.
By Joann Ching, Gerhard Widmer
arXiv:2607. 14537v1 Announce Type: cross Abstract: Rich internal representations of musical structure are essential for music understanding tasks such as machine-assisted music co-writing, yet self-supervised approaches for symbolic music representation remain underexplored, particularly those that encode the hierarchical multiscale nature of musical structures.
By Scott H. Hawley
arXiv:2608. 04378v1 Announce Type: cross Abstract: Collaborative music agents need internal representations rich enough to support both understanding and generation, yet flexible enough for a workflow where the human retains agency.
By Scott H. Hawley
arXiv:2606. 24307v1 Announce Type: cross Abstract: Interactive music and live performance relies on real-time human expression, but modern generative music AI remains largely absent from this domain due to its prohibitive inference latency and offline rendering paradigm.
By Baisen Wang, Chenxi Bao, Qisong Han
arXiv:2512. 13998v3 Announce Type: replace-cross Abstract: Music Emotion Recognition (MER) is constrained by limited expert annotations and the need to establish robustness across heterogeneous corpora.
By Qilin Li, C. L. Philip Chen, Tong Zhang
arXiv:2606. 14612v1 Announce Type: cross Abstract: We show that the three movements of Beethoven's "Moonlight Sonata" (Op.
By Chen Ying Claude, Zhihan Luo
arXiv:2512. 02652v2 Announce Type: replace-cross Abstract: Existing methods for expressive music performance rendering, a conditional generation task that aims to generate a human-like performance from a symbolic score, rely on supervised learning over small labeled datasets, which limits scaling of both data volume and model size, despite the availability of vast unlabeled music, as in vision and language.
By Hong-Jie You, Jie-Jing Shao, Xiao-Wen Yang, Lin-Han Jia, Lan-Zhe Guo, Yu-Feng Li
arXiv:2606. 19914v1 Announce Type: cross Abstract: Art has long stood as a pivotal expression of human creativity.
By Xuetao Li, Wenke Huang, Mang Ye, Zijian Liu, Jinhua Xie, Jifeng Xuan, Miao Li
arXiv:2608. 15110v1 Announce Type: cross Abstract: Emotional 3D talking head generation aims to synthesize expressive facial animations with accurate lip synchronization.
By Peng Jia, Li Dai, Zhen Xiao, Xueliang Liu, Jia Li