Equivariant Music Transformer
arXiv:2608. 03920v1 Announce Type: cross Abstract: Humans recognize a musical passage even when it is shifted in time or transposed in pitch, indicating a notion of equivariance in the representation space.
arXiv:2607. 14537v1 Announce Type: cross Abstract: Rich internal representations of musical structure are essential for music understanding tasks such as machine-assisted music co-writing, yet self-supervised approaches for symbolic music representation remain underexplored, particularly those that encode the hierarchical multiscale nature of musical structures.
arXiv:2608. 03920v1 Announce Type: cross Abstract: Humans recognize a musical passage even when it is shifted in time or transposed in pitch, indicating a notion of equivariance in the representation space.
arXiv:2608. 04378v1 Announce Type: cross Abstract: Collaborative music agents need internal representations rich enough to support both understanding and generation, yet flexible enough for a workflow where the human retains agency.
arXiv:2607. 27909v1 Announce Type: cross Abstract: Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes.
Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes. However, these methods often disregard dependencies between notes, which poses a potential limitation in assessing the similarity between two sets of performances.
arXiv:2512. 02652v2 Announce Type: replace-cross Abstract: Existing methods for expressive music performance rendering, a conditional generation task that aims to generate a human-like performance from a symbolic score, rely on supervised learning over small labeled datasets, which limits scaling of both data volume and model size, despite the availability of vast unlabeled music, as in vision and language.
arXiv:2606. 14612v1 Announce Type: cross Abstract: We show that the three movements of Beethoven's "Moonlight Sonata" (Op.
arXiv:2607. 19776v1 Announce Type: cross Abstract: Existing symbolic music generation models typically use bars as the basic structural unit.
arXiv:2608. 03050v1 Announce Type: cross Abstract: What is music style?
arXiv:2607. 01849v1 Announce Type: cross Abstract: Musical performance involves executing a set of high-level musical instructions, yet recovering those instructions from the performance is a challenging inverse problem.
arXiv:2509. 04899v4 Announce Type: replace-cross Abstract: Restricted Boltzmann machines (RBMs) are energy-based models originating from statistical physics, in which hidden units mediate the probability distribution of high-dimensional visible configurations.
arXiv:2608. 06638v1 Announce Type: cross Abstract: Mechanistic interpretability of music generation has concentrated on audio models, leaving symbolic models largely unexplored.
arXiv:2606. 13626v2 Announce Type: replace-cross Abstract: We study generative modeling of Bach-style symbolic piano music using a shared MIDI corpus and three model families: autoregressive LSTMs with attention, latent-variable models including recurrent VAEs and vector-quantized VAEs, and generative adversarial networks.