arXiv:2606. 14612v1 Announce Type: cross Abstract: We show that the three movements of Beethoven's "Moonlight Sonata" (Op.
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arXiv:2607. 14537v1 Announce Type: cross Abstract: Rich internal representations of musical structure are essential for music understanding tasks such as machine-assisted music co-writing, yet self-supervised approaches for symbolic music representation remain underexplored, particularly those that encode the hierarchical multiscale nature of musical structures.
arXiv:2608. 04378v1 Announce Type: cross Abstract: Collaborative music agents need internal representations rich enough to support both understanding and generation, yet flexible enough for a workflow where the human retains agency.
arXiv:2509. 04899v4 Announce Type: replace-cross Abstract: Restricted Boltzmann machines (RBMs) are energy-based models originating from statistical physics, in which hidden units mediate the probability distribution of high-dimensional visible configurations.
arXiv:2610.01864v1 Announce Type: cross Abstract: How can we understand what a music foundation model has learned \textit{internally}? Most interpretability approaches, such as probing and Sparse Aut...
Project Qualia investigates whether experiential similarity between songs can be extracted from listening behavior. Using 1.29 billion scrobbles from 9,396 users, the authors trained a Word2Vec model (Song2Vec) on session data, then applied an artist‑residual procedure to isolate artist‑independent signals. The residual embeddings still contained strong cross‑artist similarity, forming coherent genre and era clusters, demonstrating that experiential structure exists beyond artist identity.
arXiv:2608. 03920v1 Announce Type: cross Abstract: Humans recognize a musical passage even when it is shifted in time or transposed in pitch, indicating a notion of equivariance in the representation space.