Learning Music Style for Piano Arrangement Through Cross-Modal Bootstrapping
arXiv:2608. 03050v1 Announce Type: cross Abstract: What is music style?
The paper demonstrates that a pretrained symbolic music transformer already encodes jazz pianist identity sufficiently for accurate classification across two benchmarks. By adding cross‑attention over learned pianist embeddings, the model can generate music conditioned on a specific artist’s style, and evaluation protocols confirm that the generated continuations are correctly attributed to the intended pianist. Additionally, the classifier is repurposed to identify the most characteristic moments in a performance, revealing the musical gestures that distinguish each pianist’s voice.
arXiv:2608. 03050v1 Announce Type: cross Abstract: What is music style?
arXiv:2607. 00777v1 Announce Type: cross Abstract: Recognizing jazz standards from audio is a challenging form of tune-level music retrieval: different performances of the same standard may vary in tempo, key, arrangement, instrumentation, improvisational content, and even whether the head melody is present.
arXiv:2512. 02652v2 Announce Type: replace-cross Abstract: Existing methods for expressive music performance rendering, a conditional generation task that aims to generate a human-like performance from a symbolic score, rely on supervised learning over small labeled datasets, which limits scaling of both data volume and model size, despite the availability of vast unlabeled music, as in vision and language.
The paper introduces Musical Attention, a Transformer-based music generation model that incorporates meta-information such as bar numbers, key, signatures, and tempos into its attention mechanism. By representing each note with five events (pitch, bar number, onset, duration, velocity) plus three metadata elements, the model captures correlations among eight features, improving musical coherence and reducing repetition. Experiments show that Musical Attention outperforms prior methods like Full Attention and Strided Attention in coherence, variation, and overall quality, producing more diverse and harmonically consistent melodies.
We study generative modeling of Bach-style symbolic piano music using a shared MIDI corpus and three model families: autoregressive LSTMs with attention, latent-variable models including recurrent VAEs and vector-quantized VAEs, and generative adversarial networks. We compare their ability to model polyphonic note sequences, learn useful latent representations, and generate stylistically coherent compositions.
arXiv:2606. 13626v2 Announce Type: replace-cross Abstract: We study generative modeling of Bach-style symbolic piano music using a shared MIDI corpus and three model families: autoregressive LSTMs with attention, latent-variable models including recurrent VAEs and vector-quantized VAEs, and generative adversarial networks.
arXiv:2607. 14537v1 Announce Type: cross Abstract: Rich internal representations of musical structure are essential for music understanding tasks such as machine-assisted music co-writing, yet self-supervised approaches for symbolic music representation remain underexplored, particularly those that encode the hierarchical multiscale nature of musical structures.
arXiv:2607. 27909v1 Announce Type: cross Abstract: Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes.
Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes. However, these methods often disregard dependencies between notes, which poses a potential limitation in assessing the similarity between two sets of performances.
arXiv:2606. 16612v1 Announce Type: cross Abstract: The rapid advancement of AI music generators highlights the urgent need for reliable Synthetic Song Detection (SSD).
arXiv:2607. 06929v1 Announce Type: cross Abstract: Music aesthetic assessment is a challenging yet underexplored problem, requiring models to capture fine-grained, multi-dimensional human perceptual judgments.
arXiv:2608.30940v1 Announce Type: cross Abstract: Generative music systems are increasingly presented as tools that democratize music creation, yet their practical suitability for musicians remains u...