arXiv Machine Learning

Instrument Classification of Solo Sheet Music Images

This paper investigates instrument classification using solo sheet music images rather than audio. It converts images into sequences of musical words via bootleg score representation and treats the task as text classification, training AWD‑LSTM, GPT‑2, and RoBERTa models on IMSLP data for eight instruments. Pretraining on unlabeled data and fine‑tuning improves RoBERTa’s accuracy from 34.5% to 42.9%, and two proposed data‑augmentation methods raise accuracy by an additional 15%.

arXiv Machine Learning
Jul 3

Few-Shot Open-Set Audio Classification Using Attention Information-Fused Prototypes

arXiv:2607. 01297v1 Announce Type: cross Abstract: Most existing audio classification methods suppose that each query (testing) sample belongs to a class of support (training) samples, and misrecognize samples of unseen classes as seen classes (cannot reject samples of unseen classes).

By Yanxiong Li, Jiaxin Tan, Qianqian Li, Guoqing Chen, Sen Huang, Tuomas Virtanen
arXiv AI
Sep 2

TUTTI: Toward generalizable audio-to-score transcription via fully synthesized data

TUTTI is a new pre‑training framework for audio‑to‑score transcription that uses a large, fully synthetic multi‑instrument dataset generated by a symbolic music model. The approach trains a standard Transformer encoder‑decoder on these synthetic audio‑score pairs, producing a stronger foundational representation than single‑instrument training. When fine‑tuned on real datasets, TUTTI surpasses prior methods, achieving state‑of‑the‑art results and demonstrating strong cross‑instrument transferability.

By Jianhuai Hu, Yashan Wang, Shangda Wu, Zhancheng Guo, Shijie Liang, Wuna Meng, Chuanqi Yang, Xiaobing Li, Feng Yu, Maosong Sun
arXiv Machine Learning
Jul 22

Fretiq: Browser-Native Electric Guitar String Classification via Engineered Spectral Features and Held-Out Free-Play Evaluation

arXiv:2607. 18303v1 Announce Type: cross Abstract: Identifying which string produces a given pitch in monophonic electric guitar audio is a fundamental classification challenge: a single pitch can often be produced on multiple strings at different fret positions, with timbral differences that prior listening studies confirm are largely imperceptible to untrained humans.

By Aadi Garg