arXiv:2607. 05769v1 Announce Type: cross Abstract: We propose a novel pipeline, Legato 2, for extracting symbolic notation and semantic knowledge from images of sheet music.
Optical Music Recognition (OMR) has seen major progress in model design, with end-to-end methods now capable of recognising notation at all levels of complexity. However, the impact of this progress has been limited by the visual domains of available training datasets, which are largely born-digital.
arXiv:2609.05662v1 Announce Type: cross Abstract: Full-page end-to-end Optical Music Recognition seeks to transcribe entire music pages directly into symbolic notation, avoiding the limitations of tr...
Optical music recognition (OMR) transcribes music scores into digital formats. While the field has advanced significantly on monophonic and piano-form scores, multi-part score transcription remains underexplored, largely due to the absence of a suitable dataset.
This paper investigates instrument classification using solo sheet music images rather than audio. It converts images into sequences of musical words via bootleg score representation and treats the task as text classification, training AWD‑LSTM, GPT‑2, and RoBERTa models on IMSLP data for eight instruments. Pretraining on unlabeled data and fine‑tuning improves RoBERTa’s accuracy from 34.5% to 42.9%, and two proposed data‑augmentation methods raise accuracy by an additional 15%.
arXiv:2608. 06165v1 Announce Type: cross Abstract: Existing audio-to-score (A2S) systems primarily focus on classical music, and the application to popular music remains underexplored.
arXiv:2607. 06929v1 Announce Type: cross Abstract: Music aesthetic assessment is a challenging yet underexplored problem, requiring models to capture fine-grained, multi-dimensional human perceptual judgments.
arXiv:2607. 14537v1 Announce Type: cross Abstract: Rich internal representations of musical structure are essential for music understanding tasks such as machine-assisted music co-writing, yet self-supervised approaches for symbolic music representation remain underexplored, particularly those that encode the hierarchical multiscale nature of musical structures.
arXiv:2607. 00777v1 Announce Type: cross Abstract: Recognizing jazz standards from audio is a challenging form of tune-level music retrieval: different performances of the same standard may vary in tempo, key, arrangement, instrumentation, improvisational content, and even whether the head melody is present.
arXiv:2606. 06615v1 Announce Type: cross Abstract: Retrieving music using natural language descriptions has improved with contrastive audio-text models such as CLAP, but current systems remain limited to coarse semantic queries.
arXiv:2502. 16584v2 Announce Type: replace-cross Abstract: Recent advancements in audio tokenization have significantly enhanced the integration of audio capabilities into large language models (LLMs).
arXiv:2607. 19776v1 Announce Type: cross Abstract: Existing symbolic music generation models typically use bars as the basic structural unit.
Chordonomicon is a new dataset of over 666,000 song-level symbolic chord progressions, each annotated with structural parts such as verse, chorus, and bridge, as well as genre and release date. The dataset was compiled by scraping user-generated progressions from multiple sources and shows strong similarity to established prior datasets. The authors also provide a reproducible benchmark suite for next chord prediction, evaluating RNN, GRU, and LSTM models across various context windows and data scales, and find that structural part annotations consistently improve prediction performance.