arXiv:2510.24904v2 Announce Type: replace
Abstract: Although recent video generative models are getting more capable of following external camera controls, imposed by either text descriptions or came...
By Qiucheng Wu, Handong Zhao, Zhixin Shu, Jing Shi, Yang Zhang, Shiyu Chang
arXiv:2608.20770v1 Announce Type: new
Abstract: Modern AI video generation models can produce videos with high visual fidelity and seemingly smooth temporal transitions. However, visual realism does...
By Haojin He, Hao Tan, Zichang Tan, Ajian Liu, Jun Wan
arXiv:2601. 08828v2 Announce Type: replace-cross Abstract: Despite the rapid progress of video generation models, the role of data in influencing motion is poorly understood.
By Xindi Wu, Despoina Paschalidou, Jun Gao, Antonio Torralba, Laura Leal-Taix\'e, Olga Russakovsky, Sanja Fidler, Jonathan Lorraine
arXiv:2610.23856v1 Announce Type: new
Abstract: Generated videos often lose geometric consistency under camera motion: structures warp under viewpoint change, parallax becomes inconsistent, and smoot...
By Weijie Lyu, Tiancheng Shen, Jason Li, Yujing Wang, Xiaoyuan Wang, Haobo Yuan, Yizhou Zhao, Ming-Hsuan Yang
arXiv:2609.38683v1 Announce Type: cross
Abstract: Cinematic camera motion is a fundamental storytelling tool, defined not only by where the camera is positioned in the scene, but also by how it moves...
By Ziqi Zhou, Yujian Yuan, Laura Sevilla-Lara
PoseRegen is a new framework for removing video watermarks while maintaining temporal consistency and motion fidelity. It first applies a shared viewpoint transformation to break watermark patterns, then reconstructs the sequence with a pose‑conditioned video model and Flow Matching supervision to preserve identity and background. The method also includes a Pose‑Conditioned Motion Consistency Adapter to keep body‑part trajectories stable, achieving near‑random watermark bit accuracy and outperforming baselines on motion metrics.
By Yifan Liao, Zhen Sun, Zhicong Huang, Jiaming He, Zongmin Zhang, Xi Ai, Cheng Hong, Xinhu Zheng, Xinlei He
TKCAM is a new framework for generating controllable camera motion conditioned on text and sparse keyframes, using a 12‑dimensional kinematic representation and a two‑stage masked transformer with residual vector quantization. It allows users to provide free‑form text prompts and RGB observations at selected timestamps, enabling temporally localized visual guidance for coherent trajectory synthesis. The authors also introduce the RealEstate10K‑Cap dataset and a Universal CLaTr Evaluator, showing that TKCAM outperforms recent baselines on FID, text‑motion matching, and retrieval metrics.
By Haozhe Yang, Zhiyang Dou, Zekai Gu, Cheng Lin, Wenping Wang, Yuan Liu, Taku Komura
arXiv:2609.25775v1 Announce Type: new
Abstract: Recent advances in generative video models have enabled the synthesis of visually realistic content, posing significant challenges to synthetic video d...
By Huangsen Cao, Hongkang chu, Siyao Yu, Xin Ding, Jianfeng Dong, Yongwei Wang
arXiv:2605. 23045v2 Announce Type: replace-cross Abstract: Video representation learning has seen tremendous progress in recent years.
By Mantas Skackauskas, Xinyue Hao, Laura Sevilla-Lara
Generating high-quality and controllable camera motion is essential for AI-assisted cinematography, video synthesis, and 3D scene understanding. We introduce TKCAM, a Text- and Keyframe-conditioned CA...
arXiv:2606. 29531v1 Announce Type: cross Abstract: We propose MotionAtlas, a system for detailed captioning of motion-centric videos, comprising (1) a dedicated human-annotated benchmark, (2) a scalable, high-quality pipeline to construct training samples, and (3) a family of powerful Video-MLLMs.
By Weisong Liu, Haochen Wang, Kuan Gao, Yuhao Wang, Yikang Zhou, Zhongwei Ren, Jacky Mai, Anna Wang, Yanwei Li, Jason Li, Zhaoxiang Zhang
CameraEditor is a new framework that transforms camera-controlled image editing into a temporal sequence prediction problem. By using video diffusion models, it incorporates a geometric perception module and dynamic reference routing to create precise visual references through dynamic panorama cropping. The method also inserts intermediate transition frames to handle large perspective shifts, maintaining content identity and spatial coherence, and is evaluated on a dataset of 5,760 instances with a benchmark of 462 test cases, achieving state‑of‑the‑art performance.
By Xin Shen, Chengyou Jia, Keshuo Xing, Zifeng Zhu, Changliang Xia, Bowen Ping, Zhuohang Dang, Hangwei Qian, Minnan Luo